dok.incubator announces four selected projects for the 2022 edition of the Czech workshop dealing with topics that reach far beyond the borders of the Czech Republic. The projects were brought to Prague for the first in-person session and started working on their goal - to be ready for cinemas in 2023.

This year’s Cannes Film Festival will take place from 17 to 28 May. With Fantasy, her first film in development, the Slovenian director Katarina Rešek – Kukla was selected as one of the six promising young directors to participate in the Residence programme, a part of the Cinéfondation programme.

BRUSSELS, NEW YORK – 11 May 2022: The International Union of Cinemas (UNIC) and the Film Expo Group are delighted to announce the recipients of the 2022 CineEurope Gold Awards, given to cinema professionals in recognition of their outstanding dedication and service to the sector. The Awards will be presented as part of the CineEurope Awards Ceremony on Thursday 23 June at the Centre de Convencions Internacional de Barcelona (CCIB) in Barcelona, Spain.


Speech by President von der Leyen at the EP Plenary on the social and economic consequences for the EU of the Russian war in Ukraine – reinforcing the EU's capacity to act

Next week, we will mark Europe Day. The 72nd birthday of our Union. This Europe Day will be all about the Union of the future – how we make it stronger, more resilient, closer to its people. But the answer to all of these questions, we cannot give alone. The answer is also given in Ukraine. 
European Commission – 4 May

Recovery and Resilience Facility

CULT Committee in European Parliament calls for more support to European culture and creative sector
The European Parliament Committee on Culture and Education has voted on its Opinion on the implementation report on the Recovery and Resilience Facility.
FIAD – 29 April


Conference in Cannes: Constant Gardeners: The Realities of Today's Film Sector in Europe - 23 May
The last two years will clearly be remembered as one of the most challenging periods in the history of the film sector, including in Europe. Everyone’s focus is now on how best to adapt to the “new normal” and how to sustain a holistic recovery for the entire value chain, to the benefit of European audiences and industry alike. 
FIAD – 5 May

Copyright enforcement

MUSO Discover Q1 2022 Digital Piracy Data Insights
MUSO’s Piracy by Industry dataset measures industry-level piracy demand for film, TV, music, software and publishing content across a wide range of piracy sites that include streaming, torrent, web download and stream ripping sites. This article highlights some of the trends and headline figures MUSO identified.

MUSO – April Report 2022


22 May - Europa Cinemas conference (15.00 to 18.00)

23 May - European Audiovisual Observatory Film Focus session in Cannes

20 May - European Film Forum in Cannes - Building Europe’s cultural autonomy: Media Invest and the way forward in the AV sector (more details available here)

21 May - European Audiovisual Observatory conference “Circulation of films – is there enough availability?”

23 May- Constant Gardeners: the realities of today's film sector in Europe Cannes conference

20-23 June - CineEurope 2022

14 June - UNIC & FIAD Screening - El Buen Patrón at Palace cinema, Brussels

Would you like to listen to Francesca Berlingieri Maxwell talks about the scope of Art Director duties in stop motion animation or meet with Simon Quinn who will introduce the subject of production organization? It's possible now! StopMoLab is all about master workshops, talks, case studies, mentoring, lectures and some of them are open to the public on The stop-motion animation industry met last week for the first time to start a 9 monthly long training program. Project is the latest professional education project of the Poland-based company Momakin. 

How does the modern animated film market work? Where to find and how to apply for artistic residencies? What does an eco-friendly film production process look like? These are just a few topics that will be covered during the intensive educational course for beginner stop-motion animation creators. StopMoLab just started and will run for 9 months. The program is exclusive with only 25 seats, for 5 people of each profession: animators, puppet makers, production managers, art directors and screenwriters, with some of the lectures open for the public on the platform.

In May there will be two open meetings. First one, on May 20th, with Francesca Berlingieri Maxwell who will have a lecture and will be explaining the scope of Art Director duties in stop motion animation, broadly understood artistic settings and managing a creative team. She’s been working as Art Director on Annie Awards winning and Oscar or Bafta nominated productions like Wes Anderson’s “Fantastic Mr Fox” and on Laika’s “ParaNorman”. Moreover her portfolio includes: Aardman’s “Chicken Run”, Tim Burton’s “The Corpse Bride” or Luis Tellez’s “Inzomnia”.

The second meeting open to the public lecture will be held on May 25th with Simon Quinn, who has been working in the film and TV industry for over 34 years. He started his career as puppet maker creating among others for Aardman Animations and later on became Line Producer on Wes Anderson’s “Fantastic Mr Fox” and on Tim Burton’s “Frankenweenie”. Moreover he produced sixteen commercials with multi award winning Passion Pictures. Currently producing double Emmy award-winning animation series “The Adventures of Paddington Bear” for Studio Canal. Two hours of meeting with him will be dedicated to the subject of production organization, covering topics such as scheduling, budgeting the structure of the team, where to start, the ongoing rhythm/pattern of daily life on the production and how to pace yourself and plan to get to the end and successfully deliver a project.

StopMoLab starts with “Personal & Career Development Program (PCDP)” classes with Olaf Żylicz, Rector at the WSB University in Warsaw, a psychologist who combines the roles of organizational consultant and a scientist. He is an accredited trainer, business coach, and mentor. The workshop will help participants to discover social-psychological competencies, following setting developmental and career-related goals, including compiling a professional portfolio. On May 18th there will be a conference with Olivier Catherin explaining the financing system in France, the possibilities of co-production, and through several concrete examples, will illustrate the difficulties, but also the advantages that international co-production faces. Olivier was a board member and employee of the French Animation Film Association (AFCA), creator of Les Trois Ours studio, moreover, he produced, among others, “Kiki of Montparnasse” which won a César for a best short animation film. 

Following week there will be meetings with experts for three days, day by day. Starting May 24th with a lecture on the structure of a film script conducted by Anna Bielak, head of development at Aurum Film and tutor at the “Scripts Atelier” workshops. Besides learning about the classic elements of the script structure there will be discussion regarding the basic elements influencing the building of tension and constructing the dramaturgy of the film image. The next day, the lecture with Simon Quinn will be held. On the third day, the meeting will concern the promotion of an online brand and how to show yourself to the world run by Karol Siodmiak, who specializes in conducting marketing activities for small and medium-sized businesses and makes e-marketing impossible to dislike.

– The project was created to help to fill the natural gap between the knowledge gained in art schools and the realities of functioning in the contemporary animation industry. – says Paulina Zacharek from Momakin, the creator of StopMoLab project – It gives participants a few additional months to recognize and find their path in the industry.

More information about the project can be found at StopMoLab is co-financed by the European Union from the Creative Europe Media program.

The event is organized by MOMAKIN, a company connecting the world of animated filmmakers with the international production, distribution and promotion market, which specializes in stop motion projects. It supports animation projects at every stage of their development: from planning and financing, through production, to distribution. It deals with the education and professional education of the film industry.


Media Contact
Olivia Jary
MOMAKIN Press Office
This email address is being protected from spambots. You need JavaScript enabled to view it.
+48 668 302 669

Multiple Oscar winners Frances McDormand and Joel Coen will share their professional and personal experience with rising regional stars who will attend their masterclasses on a beautiful island of Lopud in Croatia

Baltic Sea Forum for Documentaries (BSD) is the most important documentary training and pitching event in the Baltic countries, taking place in Riga, Latvia. The 26th edition is scheduled to take place in Riga from 5 – 11 September 2022. The call for projects is open now and will close on 10 June

Kids Kino Industry, Warsaw-based international co-production forum for filsm and series for young audience, together with ITFS – Stuttgart International Festival of Animated Film and Animation Production Days, would like to invite animators and industry representatives to join our live webinar on 3rd of May, 4-5 PM, CEST: SMART COLLABORATION – Embracing New Technical Tools in Animation. The free registration for this session is open.

SMART COLLABORATION – Embracing New Technical Tools in Animation

In this second year of KKI Talks at the ITFS and APD, we want to take a deeper look at how new tools and technologies can be an enriching driving force in international co-sector and cross-sector collaboration and take a glimpse into the future of storytelling using such technologies. Our speakers Kim Adams and Julia Parfitt (Nexus Studios London / Los Angeles) and Phil Stewart (Head of Realtime, Blue Zoo, London) have been experimenting with tools such as Unity, Unreal and Blender and will share case studies to demonstrate the opportunities that these new tools can bring and how they can affect storytelling in animation. They will also discuss the pros and cons of integrating them into the production pipeline.

Meet our panelists

Kim Adams, Director of Real Time Production, Nexus Studios, USA, where she is leading studio initiatives in real-time animation production across original TV and film, branded content and immersive storytelling, and supporting the growth of Nexus Interactive Arts.

She is the Co-Founder of Adventure Lab, a social VR platform that connects audiences with virtual, live hosted, interactive adventures.

Before that, Kim led a team at Facebook in developing the AR “Storytime” app for Facebook’s Portal video device. Kim was the Head of Production and Executive Producer at Oculus Story Studio, shepherding the development of the Emmy Award-winning narrative VR project, ‘Wolves in the Walls’. Previous to that, Kim was at Google Spotlight Stories, and Pixar Animation Studios. Working between Walt Disney Studio, Pixar Canada, and Pixar, Kim produced 13 short films within the beloved ‘Toy Story’ and ‘Cars’ franchises. Previous to Pixar, Kim served as a visual effects producer on several films including ‘Apocalypto’, and worked on the Oscar-nominated visual effects for ‘Master and Commander’.

Julia Parfitt, Executive Producer, Nexus Studios, USA/UK, where she produced some of the Nexus Studios’s most notable work, including the most awarded ad of the decade Honda ‘Grrrr’, recipient of the highly coveted, Cannes Film Grand Prix Award, as well as the Grammy-nominated music video for Franz Ferdinand ‘Take me Out’, no name but a few.

Julia also held the post of Head of Production at Nexus, where she brought her versatile and proactive skillset for almost a decade and oversaw the diverse creative output of the entire studio, ranging from high-profile film work such as the Oscar-nominated ‘This Way Up’, the title sequence for ‘Catch Me If You Can’ with Leonardo DiCaprio and Tom Hanks, several award winning commercials for the likes of Chipotle and Coca Cola, and ground-breaking XR experiences for the global consumer tech leaders.

Most recently, in the role of Executive Producer, Julia has established and nurtured long-standing relationships with further global brands such as Amazon Studios, Netflix, Headspace, Facebook, Google and Duolingo. She often works across platforms and is most interested in exploring how working at the cutting edge of technology can be enhanced with exceptional design and powerful storytelling, which has led her to spearheading a host of projects developed using Real-Time technology.

In 2019, Julia was named ‘Pitch Superwoman’, a UK industry award that recognises trailblazing women and their contributions.

Phil Stewart, Head of Real Time, Blue Zoo, UK, where he is researching, developing and testing new technology and workflows to help the studio achieve it’s ambition of working in the best ways for the benefit of the business and artists. From researching rendering tech and programming a VR-puppet in Unreal Engine, to doing push-ups to test a new Motion-Capture suit, the department strives to stay ahead of the game.

This KKI Talks will be moderated by Prof. Lilian Klages, CEO & Executive Producer of the Danish based company Parka Pictures Aps and the German based company Dreamin’ Dolphin Film GmbH

Participation in the webinar is free of charge.

To join the webinar, sign up here:

On the occasion of Europe Day (May 9th) CE Desks of the Baltic States and their partners offer Ukrainian films to demonstrate strong support to Ukraine and gather donations.

In Estonia the film program Glory to Ukrainian Filmmakers opens on the 9th of May at Artis cinema with the film Donbass (Sergei Loznitsa, 2018). Before the screening a discussion about free media and Russian propaganda is organised by media expert Andres Jõesaar, Head of European Commission's Representation Vivian Loonela and Estonian Minister of Culture Tiit Terik. The project continues with cinemas Artis and Sõprus screening a wide selection of Ukrainan films from 9th till 12th of May. Instead of ticket sales, a donation hotline will be open. As of May 9, also Black Nights Film Festival will offer a list of Ukrainian titles for free on the festival’s online platform. And Estonian Television will program Ukrainian films from the end of May. Glory to Ukrainian Filmmakers is organised by Black Nights Film Festival, Estonian Television, Creative Europe Desk Estonia, Cinemas Artis and Sõprus.

In Latvia the film Atlantis (Valentyn Vasyanovych, 2019) will be made available online for free on cinema Kino Bize online platform from the 8th till the 9th of May. The sales agent Best Friend Forever (Belgium) will forward the fee for the licence to the filmmakers of Atlantis fighting for the independence of their country. The event is organized by Creative Europe MEDIA Desk Latvia and cinema Kino Bize.

In Lithuania the film 107 mothers (Cenzorka, Peter Kerekes, 2021) will be made available for free on film festival‘s Kino Pavasaris online platform KP+ from the 7th till the 9th of May. The film is an example of successful European collaboration, a co-production between Slovakia, Czech Republic and Ukraine, supported by CE MEDIA. And the event is organised by Creative Europe Desk Lithuania together with Vilnius International Film Festival Kino Pavasaris.

With the activities of Europe Day the CE Desks of the Baltic states wishes to provide their audiences with an opportunity to get acquainted with Ukraine's rich culture and cinema that would deserve much more attention, especially in the context of the current war.

All the cinemas and festivals involved in the Europe Day activities are CE MEDIA supported.

For more info contact:

Anu Ernits, CE MEDIA Desk Estonia This email address is being protected from spambots. You need JavaScript enabled to view it.

Lelda Ozola, CE MEDIA Desk Latvia This email address is being protected from spambots. You need JavaScript enabled to view it.

Austėja Milvydaite, CE MEDIA Desk Lithuania This email address is being protected from spambots. You need JavaScript enabled to view it.