ST PETERSBURG: A colloquium on contemporary Russian film organised together with FIPRESCI took place from 13-15 November 2017 at Lenfilm Studios in the run-up to the St Petersburg Cultural Forum which took place on 16-18 November this year.  The event took place within the framework of the forum.

Film New Europe would like to thank all its sponsors, supporters and readers and to wish them a Merry Christmas and a happy and prosperous New Year.

VENICE: The Coen brothers have scored a slot in the main Venice Film Festival competition with The Ballad of Buster Scruggs which despite beginning life as a Netflix series is slated for theatrical release after the festival. 

VENICE: Director Damien Chazelle makes a quantum shift with his Venice competition entry First Manafter his hugely successful, light-hearted homage to the Hollywood musical La La Land. 

VENICE: American indie director Rick Alverson has scored a slot in the Venice competition lineup with his fifth and most ambitious film The Mountain.  His earlier offbeat dark comedies Entertainmentand The Comedy established his reputation as a Sundance regular who did not hesitate to challenge audiences with difficult but nonetheless visually beautiful films.

VENICE: French director Jacques Audiard arrives in the Venice competition with the French, Belgian, Romanian, Spanish coproduction The Sisters Brothersan unusual take on the Western genre. The film is based on the novel by of the same name by Canadian author Patrick deWitt with a script co-authored by Jacques Audiard and Thomas Bidegain. It is also the first English language film by Audiard who scored critical acclaim with his previous films A Prophet, Dheepan andRust and Bone.

VENICE:American director Brady Corbet arrives in Venice in competition with his second film Vox Luxwhich is a more mature work in the same genre as his first film The Childhood of a Leader. Corbet is interested in examining key events that define their era using fictional characters the just could be modelled on unnamed real life historical figures that we already know.