MARKET ANALYSIS 2018
The year 2018 turned out to be extremely complex for the Bulgarian film industrу. Public support for film was blocked and the Bulgarian National Film Center was forbidden to allot financing. The restrictive measure was applied because the country had failed to adjust its film and audiovisual legislation to the European requirements within the official deadline of 12 December 2017.
It became imperative that the state institutions catch up on their delay by amending the Film Industry Act and putting it in line with the Communication on State Aid for Films and Other Audiovisual Works (2013/C 332/01), the Commission Regulation No 651/2014 of 17 June 2014 and the Commission Regulation No 1407/2013 of 18 December 2013.
In October 2018 Sofia hosted the 152nd meeting of the Eurimages Board of Management.
Milko Lazarov’s Ága closed the Official Competition (Out of Competition) of the 68th Berlinale and afterwards received 21 prestigious awards all over the world.
Two Bulgarian production companies got involved as minority coproducers in two prestigious Romanian films. Agitprop coproduced Adina Pintilie’s Golden Bear winner Touch Me Not, while Klas Film was a coproducer of the 53rd Karlovy Vary IFF’s Crystal Globe winner “I Do Not Care If We Go Down In History As Barbarians” by Radu Jude.
Seventeen feature films were produced in 2018, of which 12 were supported by the Bulgarian National Film Center and five were privately financed.
Three of the supported films were made with minority financial participation from other countries. The debut films were five in number and they were all supported by the Bulgarian National Film Center.
The Bulgarian National Television backed the production of 8’19”, a six part omnibus film directed by Peter Valchanov, Lubomir Mladenov, Theodor Ushev, Nadejda Koseva, Vladimir Lyutskanov and Kristina Grozeva, and took part as a minor coproducer in Milko Lazarov’s Aga and in Victor Bojinov’s Heights.
A total of 21 short films were made in 2018, of which seven were supported by the Bulgarian National Film Center.
In late autumn of 2018 Stefan Komandarev shot the bigger part of his urban nightly sequel Rounds aka Patrol Cars in Sofia. Each episode was filmed in a single hand-held shot, without editing cuts. Rounds is coproduced by Bulgaria’s Argo Film, Serbia’s Film Pro and French outfits Deuxième Ligne Films and EZ films. The film is supported by Eurimages and will be sold by Beta Cinema.
Victor Chouchkov completed shooting on his international drama 18% Gray, based on Zachary Karabashliev’s bestseller. Filming took place in the UK, Belgium and Germany. The film is a coproduction between Bulgaria’s Chouchkov Brothers, Germany’s Ostlicht Filmproduktion, Serbia’s Cinnamon Films, Belgium’s Raised by Wolves and Macedonia’s Sektor Film Skopje.
Acclaimed director Ivan Nichev shot Could You Kill aka Old Men, an alarming drama on sharp contemporary topics like poverty, unemployment, terrorism and illegal immigration. Cinemascop is producing with the support of the Bulgarian National Film Center.
Famous for his successful animated films, director Anri Koulev shot his period drama Once Upon a Time There Was a War, reminding military conflicts in the Balkans from 1885, with British star Ben Cross in the cast. The director is producing through Koulev Film Production in cooperation with the BNT. The Bulgarian NFC is supporting.
Known for her internationally acclaimed Monkeys in Winter (2006, Bulgaria’s Proventus Film House and Germany’s Tatfilm), Milena Andonova completed the shooting on her sophomore film The Shepherd in 2018. The period drama is about St. Ivan Rilski, the patron saint of the Bulgarian people. Proventus Film House is producing in cooperation with the BNT and the Sofia based Nu Boyana Film Studios.
In 2018 Milko Lazarov’s Ága, coproduced by Bulgaria’s Red Carpet, Germany’s 42 film and France’s Arizona Productions, closed the Official Competition (Out of Competition) of the 68th Berlinale and went on to receive 21 prestigious awards all over the world, including best film at the 37th Fajr IFF, the 24th Sarajevo IFF and the 36th Golden Rose NFF.
The 36th Golden Rose NFF also gave its best debut prize to Nadejda Koseva’s Irina, produced by Art Fest. The film, and especially its lead actress Martina Apostolova, impressed international film festivals such as the 36th Warsaw FF, the 28th Cottbus FF, the 16th Tirana IFF (best film) and others.
In 2018 RFF International involved Bulgaria as minority coproducer in Nuri Bilge Ceylan’s The Wild Pear Tree, next to France’s Memento Films, Germany’s Detailfilm, Macedonia’s Sisters And Brother Mitevski, Sweden’s Film i Väs, The Chimney Pot and Turkey’s Zeynofilm.
Tonislav Hristov’s Finnish/Danish/Bulgarian long documentary The Magic Life of V was selected to compete in the 2019 Sundance FF and the 69th Berlinale’s Generation section, while Petar Krumov’s short film Shame was nominated for the European Film Academy Awards.
The 24th Golden Rhyton Festival for documentary and animated films was to take place in December 2018, but just before its start the event was canceled. According to the official statement of the Bulgarian NFC “the number of films that applied is insufficient and makes it impossible to reach the level of the recent years and to compose strong competition programmes“.
Despite the fact that a significant part of the documentary and animated film production from 2018 could not get enough visibility, several titles received positive recognition. Boris Missirkov’s and Georgi Bogdanov’s Palace For the People (Agitprop) won the Dok Buster Award 2018 for the audience's favourite at Doc Leipzig 2018.
Stefan Ivanov’s A New Life, coproduced by Bulgaria’s Geopoly Film and Canada’s Les Ivanov productions, was well received in Canada, where many Bulgarians had found their second home country. Gospodin Nedelchev’s The Citizen Sis (Dido Film), on the Czech war correspondent Vladimir Sis, and Ralitza Dimitrova’s A Saga For Wasted Opportunities (B Plus Film), on national feelings 100 years after the signing the Treaty of Neuilly-sur-Seine, were among the successful documentaries in 2018.
Ten foreign films were partly or entirely shot in Bulgaria in 2018, most of them serviced by Bulgaria’s leading film production studios - Nu Boyana Film Studios, including The Outpost (Ghost House Pictures, Millennium Media) directed by Rod Lurie, and Rambo 5 (Millennium Media) directed by Adrian Grunberg. The first one recreates violent war scenes in Afghanistan, while the second involves Hollywood star Sylvester Stallone in the role of John Rambo for the fifth time.
Launched as the first part of a trilogy, the Indian fantasy Brahmāstra (Dharma Productions) directed by Ayan Mukerji largely used the Nu Boyana sets.
According to the NFC, a total of 289 films were theatrically released in 2018: 111 from the USA, 138 European films, 30 domestic and 10 films from other countries. Total admissions were 4,900,408, of which American films had 3,852,296 admissions, European films 532,802 admissions and domestic films had 388,006 admissions.
In 2018 the country’s leading distribution companies were again Forum Film Bulgaria and Alexandra Group, with around 75 percent of the market. In 2018 they had respectively five and four American titles in the top ten. The privately financed Bulgarian feature film Attraction (Spirit Production House), released by Lenta (the distribution branch of the private TV channel Nova TV), ranked 8th in the top ten.
bTV Studios (the distribution branch of the private TV channel bTV) showed good results with two other independent Bulgarian films: Dimitar Gochev’s Revolution X (Di – Dreams) and Niki Iliev’s All She Wrote (Euro Dialogue Productions).
A+Films successfully reached the audience with Yassen Grigorov’s Lilly The Little Fish (TFA – The Flying Agency) and kept its traditional interest in distributing European and domestic films.
EXHIBITION AND BOX OFFICE
In 2018, the number of officially registered screens was 219, with 178 equipped for 3D screenings.
In 2018 total admissions were 4,900,408 and total box office was 23.5 m EUR. Compared to 5,566,585 admissions and the total box office of 25.9 m EUR in 2017, there is a decrease by 11.97 percent and 9.11 percent, respectively.
American films had 3,852,296 admissions and 19,118,053 gross, while European titles had 532,802 admissions and 2,555,649 EUR gross.
With 30 Bulgarian titles (including re-releases and holdovers) the number of released films stood nearly the same as in 2017.
The admissions for domestic films were 388,006 and the box office was 1.6 m EUR gross in 2018. Compared to 2017, when the admissions were 512,521 and the box office was 2.1 m EUR gross, there is a decrease by 24.29 percent and by 23.80 percent, respectively.
Martin Makariev’s Attraction (Spirit Production House) became Bulgaria’s domestic box office topper with 112,934 admissions and 444,184 EUR gross. Dimitar Gochev’s Revolution X (Di – Dreams) ranked second with 54,575 admissions and 230,470 EUR gross, followed by Niki Iliev’s All She Wrote (Euro Dialogue Productions) with 41,836 admissions and 178,283 EUR gross.
Stephan Komandarev’s Directions (produced by Argo Film and distributed by Purple Rain Film Distribution) ranked 4th with 37,623 admissions and 160,697 EUR gross, followed by Stanislav Todorov – Rogi’s low budget Bubblegum, produced by Dynamic Arts and distributed by Lenta, with 39,195 admissions and 156,835 EUR gross.
Two films focusing on younger audiences - Maria Veselinova’s debut feature Smart Christmas, produced by Juli Maruli Entertaiment and released by Lenta, and Yassen Grigorov’s Lilly The Little Fish (TFA – The Flying Agency), had 37,576 admissions and 153.638 EUR gross, and 35,095 admissions and 138,795 EUR gross respectively. The rest of the domestic films attracted less than 1,000 viewers each.
GRANTS AND NEW LEGISLATION
The procedure of bringing the existing film state aid schemes in line with the European Commission’s Communication on State Aid for Films and Other Audiovisual Works (2013/C 332/01) started on 6 March 2018, when Bulgaria’s Parliament adopted three important amendments to the Film Industry Act. The first one terminated the requirement for Bulgarian citizenship of the authors applying for state support. The second one fixed at 75% the lowest percentage of the allocated funds to be spent in Bulgaria. The third one submitted the definition of a “difficult film”, a film whose only version is in Bulgarian language and its budget is not higher than the average budget of the previous year.
The adjustment process was completed on 5 December 2018, when Bulgaria’s Parliament adopted the definitive amendments to the Film Industry Act. Only after this date did it become possible for the Bulgarian National Film Center to sign agreements with producers having already closed the budgets of their films. According to Jana Karaivanova, Executive Director of the Bulgarian National Film Center, by the very end of the year “the institution signed 90 agreements and unblocked over 2.2 m EUR”.
It was specifically indicated that public financing for film will be implemented through three main schemes in the future. Two of them are for the support of production and distribution. The third one is for the support of festivals and meets the European Commission's requirement for the de minimis state aid.
In October 2018 Sofia hosted the 152nd meeting of the Eurimages Board of Management. A group of experts analysed the facts and figures characterising the gender equality situation in the country’s audiovisual sector.
In 2018 Bulgaria also signed cooperation agreements with Romania, Macedonia and Kosovo.
The Bulgarian National Film Center and Nu Boyana signed a cooperation agreement on joint activities in the development and the stimulation of the production, distribution, display and promotion of Bulgarian films.
In June 2018 HBO acquired broadcast rights for 19 Bulgarian films (16 feature films and three documentaries) produced after 1989. The deal was part of HBO’s newly expanded distribution policy in the HBO Adria region, which gives subscribers from Bulgaria, Slovenia, Croatia, Serbia, Montenegro, Macedonia and Bosnia and Herzegovina access to the catalogue of the TV channel.
The Bulgarian film package was launched on 1 July 2018 with Victor Bojinov’s box office topper Heights, a the Bulgarian/Macedonian coproduction between Bulfilm and Dream Factory..
Two major TV series financed by the Bulgarian National Television were shot in 2018 and creative filmmakers with original artistic approach were invited to direct. Peter Valchanov and Kristina Grozeva directed The Blue Birds Island, based on Alexander Sekulov’s novel The Island, an adventure series filled with funny summer vacation stories (executive producer Red Carpet), while Pavel G. Vesnakov directed Father’s Day, a series inspired by real stories of divorcing parents who fought to remain an equally important part in their children’s lives (executive producer Agitprop).
BULGARIAN NATIONAL TELEVISION General Director: Konstantin Kamenarov 29, San Stefano Str. 1504 Sofia, Bulgaria Phone: + 359 2 814 22 14 Phone.: + 359 2 944 49 99 (switchboard) www.bnt.bg
Report by Pavlina Jeleva (2019) Source: the Bulgarian National Film Centre
MARKET ANALYSIS 2017
The year 2017 started with the appointment of a caretaker government by the Bulgarian president, General Rumen Radev, designated to act in a limited time. Centre-right GERB party won the parliamentary elections and in May 2017 Boyko Borisov became Prime Minister for the third time since 2009.
On 31 December 2017 European Commission’s monitoring of the aid scheme approved until 31 December 2017 expired. In order to bring the state film aid scheme in line with the European Commission Communication on State Aid for Films and Other Audiovisual Works (2013/C 332/01), Bulgaria’s Council of Ministers adopted a draft of an amended Film Industry Act. As the changes were not officially adopted before the start of 2018, state subsidies for film will be allotted only after the completion of all legal procedures.
In September 2017 Konstantin Kamenarov took over the position of Director General of the Bulgarian National Television from Vyara Ankova, who headed the public broadcaster since 2010.
Two months later actress/producer Jana Karaivanova was appointed as Executive Director of the Bulgarian National Film Center. Kamen Balkanski, who had been running the national institution during the last two years, became Deputy Director.
The year 2017 was also marked by the most spectacular return of the audience's interest in national cinema since 2010. One after another, several new Bulgarian feature films became box office hits throughout the year. The highest grossing title turned out to be Victor Bojinov’s historical drama Heights (coproduced by Bulgaria’s Bulfilm and Macedonia’s Dream Factory). Admissions to domestic films almost tripled in Bulgaria from 176,395 in 2016 to 512,521 in 2017, while domestic films cashed in over 2 m EUR in 2017 compared to 612,000 EUR in 2016.
Total admissions increased by 2.49 percent and total box office by 5.7 percent compared to 2016.
In 2017 Stefan Komandarev’s Directions, coproduced by Bulgaria’s Argo Film, Germany’s Aktis Film Production and Macedonia’s Sector Film, was applauded in Cannes in the Un Certain Regard official competition. Ilian Metev’s feature debut 3/4 (Three Quarters), coproduced by Bulgaria’s Chaconna Films and Germany’s Sutor Kolonko, grabbed the Golden Leopard in the Cineasti Del Presente international competition of the 70th Locarno Film Festival. Ralitza Petrova’s Godless (coproduced by Bulgaria’s Klas Film, Denmark’s’ Snow Globe and France’s Alcatraz Films and Film Factory) was nominated for the European Film Academy’s European Discovery 2017 – Prix FIPRESCI. Tonislav Hristov’s Finnish/German/Bulgarian long documentary The Good Postman won the European Film Academy’s Documentary Award – Prix Arte.
Twenty one feature films were produced in 2017, of which 16 were supported by the Bulgarian National Film Center. Five of the supported films were made with minority financial participation from other countries. There were six debut films (five supported and one privately financed) and three low budget films. The Bulgarian National Television coproduced three feature films. Bulgaria also took part as a minor coproducer in six other feature film coproductions and in two short film productions.
A total of 39 short films were made in 2017, of which six were supported by the Bulgarian National Film Center.
Some domestic feature films were shot in the country, but also abroad.
In the spring of 2017 Milko Lazarov completed the shooting of his sophomore film Aga aka Nanook in the Sakha (Yakutia) Republic within the Russian Federation. The aesthetically ambitious film is coproduced by Bulgaria’s Red Carpet, Germany’s 42Film and France’s Arizona Films. The Bulgarian National Television and ZDF/Arte are also involved in the production.
Victor Chouchkov began shooting his international project 18% Gray, based on Zachary Karabashliev’s bestseller. Shooting will continue in the UK, Belgium and Germany in 2018. The film is a coproduction between Bulgaria’s Chouchkov Brothers, Germany’s Ostlicht Filmproduktion and Serbia’s Cinnamon Films. The Bulgarian National Television is the national coproducer.
Kostadin Bonev, whose The Sinking of Sozopol (Borough Film) was awarded at numerous international film festivals, wrapped the shooting of his fourth feature film The Wolves Come Out, produced through his company Trivium Films. The cultural club of the town of Yambol became the main location for a story taking place in a small provincial theatre.
Known for her internationally acclaimed 2006 Monkeys in Winter (Proventus Film House Bulgaria and Tatfilm Germany), Milena Andonova partially shot her sophomore film The Shepherd in 2017. The period drama is about St. Ivan Rilski, the patron saint of the Bulgarian people. Proventus Film House is producing in cooperation with the BNT.
Nadejda Koseva, who became famous for her critically acclaimed short film Omlette, completed the two-step shooting of her debut feature The Deal. Focusing on surrogate motherhood, the low budget film is produced by Art Fest.
Martin Makariev’s Attraction, coproduced by Indifilm, Spirit Production and Nova Broadcasting Group, and Niki Iliev’s Knock out or All She Wrote, coproduced by Euro Dialog Productions and Nu Boyana, were the main privately financed films shot in 2017. The first one relies on the attractiveness and choreographic abilities of the actress Yana Marinova, the second on the American actor Gary Dourdan’s participation in a story partially shot in New York.
Youlia Kantcheva’s In the Mirror, Maria Averina’s From Cremona to Cremona, Tzvetan Dragnev’s Village People, Kostadin Bonev’s Uprooting, Adela Peeva’s Long Live Bulgaria, were among the most acclaimed documentaries in 2017. Animation also showed good health with films like Travelling Country by Vessela Dantcheva and Ivan Bogdanov, Restart by Gospodin Nedelchev, 20 Kicks by Dilyan Elenkov, No Way by Ivan Stoyanovich, and others.
Bulgaria’s leading film production studios, Nu Boyana Film Studios serviced or got involved in the production of 18 films. Four of them were American productions and four were non-American films with partial American funding. The company also serviced four European and six Bulgarian coproductions. Neil Marshal’s Hellboy (Millennium Films) starring Milla Jovovich, David Harbour, Ian McShane and Sasha Lane; Ariel Vromen’s The Angel (Netflix) starring Marwan Kenzari and Toby Kebbell, and Eric Bress’s Ghosts of War (Miscellaneous Entertainment) starring Brenton Thwaites, became the new ‘business cards’ of the company.
According to the NFC, a total of 291 films (including re-releases and holdovers) were theatrically released in 2017: 126 from the US, 116 European films, 28 domestic and 21 films from other countries. Total admissions were 5,566, 585, of which American films had 4,585,414 admissions, European films 432,890 admissions and domestic films had 512,521 admissions.
Forum Film Bulgaria and Alexandra Group remained the country’s leading distributors, like in the previous years. In 2017 they had seven and two American titles in the top ten, respectively.
Thanks to an exceptional advertising campaign lasting for more than a year, the distributor A+Films made a huge breakthrough with Victor Bojinov’s historical drama Heights (coproduced by Bulgaria’s Bulfilm and Macedonia’s Dream Factory). In only two months the title broke into the domestic top ten.
Also due to the long term marketing campaign Nova Helps Bulgarian Films, the distribution branch of the private TV channel Nova TV, Lenta, successfully released several Bulgarian titles and actively contributed to the nearly threefold increase of the national share.
By the very end of 2017 the Bulgarian National Center gave a green light to the 23rd edition of the country’s main non-feature film national festival Golden Rhyton, cancelled in 2016. Over 90 documentaries and animated films displayed the crop of two years, of which 63 participated in the documentary and animated films’ competitions. The jury decided to encourage a bigger number of filmmakers by doubling the honors. As a result, more films were awarded, part of them ex-aequo. Among them were Tonislav Hristov’s The Good Postman (coproduced by Finland’s Making Movies OY, Germany’s Еlemag Pictures and Bulgaria’s Soul Food), awarded best documentary, Anri Koulev’s All So Much Hogwash, awarded best animated film, and Catherine Bernstein’s and Assen Vladimirov’s The Bookseller (coproduced by Bulgaria’s Pro Film and France’s Les Films de l’Aqueduc) and Nikolay Todorov’s 72 minutes animated political satire Made in Brachycera (produced by ET Club No Nikolay Todorov), both winning the ex-aequo Special Jury Award.
In 2017, the number of officially registered screens was 216. Practically all screens in the country are digitalised.
Total admissions increased by 2.49 percent and total box office by 5.7 percent. In 2017 total admissions were 5,566,585 and total box office was 25.9 m EUR, compared to 5,431 028 admissions and 24.5 m EUR total gross in 2016.
With 28 Bulgarian films (including re-releases and holdovers) the number of films released significantly increased in comparison with the two previous years, when it was 16 and 17 respectively.
Admissions to domestic films almost tripled from 176,395 in 2016 to 512,521 in 2017, while the domestic films cashed in over 2 m EUR in 2017 compared to 612,000 EUR in 2016.
The encouraging results were due mostly to Victor Bojinov’s Heights, which ranked first with 130,470 admissions and 546,160 EUR gross. Katerina Goranova’s and Asen Blatechky’s spectacular action debut Broken Road (Cinequanone) came second with 98,822 admissions and 406,331 EUR gross, followed by Zornitsa Sophia's Voevoda (MQ Pictures Ltd ) with 87,604 admissions and 345,761 EUR gross. The last two films were distributed by Lenta.
Magdalena Ralcheva’s relatively small and privately financed teenage comedy 12A, produced by 12А Ltd and released by A+Films, surprisingly ranked fourth with 57,593 admissions and 226,736 EUR gross. Ilian Djevelekov’s Omnipresent (Miramar Film), which won the main award at the 35th Golden Rose NFF, came fifth with 45,782 admissions and 195,188 EUR gross.
After Omnipresent, Lenta also released Stanislav Todorov–Rogi’s debut feature Bubblegum (Dynamic Arts), which attracted 44,773 viewers and had 190,760 EUR gross.
Three other privately financed films ranked seventh, eighth and ninth: Georgi Kostov’s Sex Academy – Men, produced and released by Media Production with 10,038 admissions and 38,754 EUR gross; Todor Anastasov’s Damascena, produced and released by Damascena Film Company, with 8,655 admissions and 31,101 EUR gross, and Andrey Andonov’s NoOne (Egregore Films), released by A+Films, with 4,391 admissions and 15,538 EUR gross. The 10th place was taken by Radoslav Spassov’s The Singing Shoes with 4,004 admissions and 13,812 EUR gross.
In 2017, the Bulgarian National Film Center provided the main funding for film production and the Bulgarian National Television contributed with pre-sales to the budget of some national films, already supported by the NFC.
In 2017, the National Palace of Culture, which registered in 2015 at the NFC as a film production company, continued to support selected Bulgarian films by offering for free Hall 1 to Galin Stoev’s debut feature The Infinite Garden. The film opened the 31st edition of the Cinemania Film Panorama.
In accordance with the Film Industry Act adopted in 2003, Bulgaria’s main institution’s annual support is calculated based on the total average budget of seven feature films, 14 long documentaries and 160 minutes of animated films.
Similarly to the two previous years, in 2017 the NFC’s annual state support for film was 7,370,272 EUR, while the amount for production, distribution and exhibition was nearly 7 m EUR.
As no legal changes were made, the two-tier system was kept in 2017: a project can receive the approval of the NFC expert selection committee, but the NFC funding becomes usable only when the producer of the film has 100% of the budget in place.
Based on this rule, in 2017 the NFC approved financial support for 11 feature films, six with budgets over 300,000 EUR, three with budgets below 300,000 EUR, two debut features and seven short films. Eleven projects received development support.
Nine films were approved in the documentary section, two of which were debuts. Seven projects were selected for development support. In the animated films section seven films of up to 24 minutes and two films of up to 60 minutes were approved for support.
The Film Industry Act also requires that up to 20% from the NFC’s annual budget is allotted to Bulgarian minority coproductions. In 2017 seven coproductions were approved for financial support: four feature films, two documentaries and one animated film.
Over 240,000 EUR were allotted for domestic distribution of Bulgarian and European films in 2017, and nearly 200,000 EUR were dedicated to the support of local film festivals and international promotion of Bulgarian cinema.
Bulgarian National Television is still the only TV channel obliged by the law to support independent producers with 10% of its total budget. In 2017 the annual amount did not differ a lot from the usual one, around 3 m EUR.
On the other hand, the activity in the private audiovisual sector increased.
The private TV channel bTV backed the shooting of 170 episodes of Dear Heirs, taking place in an artificially built village. Some of them were directed by Todor Chapkanov and Niki Iliev. The broadcast of the series started on 15 January 2018.
In cooperation with Global Films, the other main private TV channel Nova TV backed the shooting of Policemen from the End of Town, the first Bulgarian police comedy based on the Spanish hit series Los hombres de Paco. Nova TV also backed the detective series The Devil's Throat (in cooperation with Dream Team Films). The first six episodes were entirely shot in the picturesque surroundings of the town of Smolyan.
BULGARIAN NATIONAL TELEVISIONGeneral Director: Konstantin Kamenarov29, San Stefano Str.1504 Sofia, Bulgaria Phone: + 359 2 814 22 14 Phone.: + 359 2 944 49 99 (switchboard)www.bnt.bg
Report by Pavlina Jeleva (2018)Source: the Bulgarian National Film Centre
Population: 6, 998, 209 (2018) GDP (nominal) per capita in EUR: 7, 901 (2018) Total admissions: 4, 900, 408 (2018) Admissions per capita: 0.70 (2018) Box office in EUR: 23, 537, 851 (2018) National market share: 6.66% (2018) Feature film production: 17 (2018) Number of screens: 219 (2018) Digital screens: 219 (2018) Average ticket price in Euro: 4.80 (2018) Annual state support for film industry: 6.7 m EUR (2018)
Source: National Statistical Institute of the Republic of Bulgaria, the Ministry of Finance of the Republic of Bulgaria
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