A Europe Fit for the next generation of creators

European Authors’ open letter in support of the Copyright Directive

Dear Member of the European Parliament,

The undersigned organisations of authors – representing hundreds of thousands of voters who are writers, screenwriters, filmmakers, composers and songwriters – urge you to seize this once in a decade opportunity and support the successful adoption of the Copyright Directive.

Since the last European elections, the European Commission, the European Parliament and Member States concluded that the European Union needed to modernise copyright in the Digital Age. Included in this debate was a conviction of the need to strengthen Europe’s authors by addressing the systemic weak bargaining position in negotiating contracts, and promoting fair remuneration.

Authors are at the very origin of the copyright value chain for Europe’s cultural and creative industries, which produce EUR 509 billion in value added to GDP, provide 7.5 % of the EU’s work force and significantly contribute to the EU economy in terms of employment, investment, growth, innovation and competitiveness on a global scale. Yet for the vast majority of authors, their careers are barely sustainable and poorly remunerated. The Parliament has played a decisive role in insisting that the Copyright Directive address this anomaly and has significantly improved the various provisions in the Directive which will benefit authors, and which we have supported.

Throwing the Directive away now would not only reverse the European Parliament’s work to support authors but also be an unprecedented setback for all creators in Europe. Abandoning the Directive now would be a major victory for the major international players who ignore the damage caused to the creative industries by their dominant position and refuse the harmonisation and inclusion of basic standards of transparency and fairness in EU copyright legislation.

This Directive concerns the future of Europe’s cultures. The European Parliament played a key role in the negotiations ensuring future generations’ access to freedom of expression.

Please - adopt the Directive and send a strong signal to the future generations who want to write, compose, create so that they can be fairly remunerated.

Sincerely yours,

  1. ACE, Spanish Writers’ Association, Spain - Manuel Rico Rego - President
  2. ADA, Austrian Directors Association, Austria - Jacob Groll and Jenny Gand – Co-chair
  3. ALMA, The Spanish Writers Guild, Spain – Alberto Macias – President
  4. AMA, Autores de Musica Asociados, Spain - Javier de Juan – President
  5. ANAC — Associazione Nazionale dei Autori Cinematografici, Italy - Francesco Ranieri Martinotti - President
  6. APR – ASSOCIAÇÃO PORTUGUESA DE REALIZADORES, Portugal – Filipa Reis - President
  7. ARRF – Association des Réalisateurs et Réalisatrices de Films, Belgium – André Buytaers, Administrator
  8. ARF/FDS – Swiss Filmmakers Association, Switzerland – Barbara Miller - President
  9. Asociace spisovatelů, The Czech Writers Association, Czech Republic - Ondřej Lipár - Chairman
  10. Association of Catalan Language Writers, Catalonia-Spain - Bel Olid Báez – President
  11. Association des Auteurs de l'Audiovisuel (ASA), Belgium, Frédéric Castadot – President
  12. Associazione dell'Autorialità Cinetelevisiva, 100autori, Italy – Stefano Sardo - President
  13. BAFTRS - Bulgarian Association of the Film, Theater and Radio Scriptwriters, Bulgaria, President - Prof. Dr. Stanislav

Semerdjiev

  1. BAM!, Dutch Songwriters Society, Netherlands - Pieter Perquin – Chair
  2. BASCA, British Academy of Songwriters, Composers and Authors - United Kingdom - Crispin Hunt – Chair
  3. Bundesverband Regie e. V., Germany – Susann Reck, Marie Noelle, Axel Schill Bettina Schoeller-Bouju & Cornelia

Grünberg, Executive Board

  1. CC Composers Club e.V., Germany - John Groves – President
  2. Croatian Film Directors' Guild, Croatia – Danilo Šerbedžija, President
  3. The Danish Composers’ Society, Denmark - Bent Sørensen – President
  4. The Danish Authors Society, Denmark - Morten Visby - Chairman
  5. The Danish Writers Guild, Denmark - Anders Busk – Kommunikationskonsulent
  6. Danske Filminstruktører/Danish Film Directors, Denmark – Christina Rosendahl, President
  7. Deutscher Komponistenverband, Germany - Dr. Enjott Schneider- President
  8. DGCY – Directors Guild of Cyprus, Cyprus – Daina Papadaki, President
  9. The Directors Guild of Slovenia – Slovenia - Urša Menart
  10. Directors UK, United Kingdom – Andrew Chowns, CEO & Steve Smith, Chair
  11. DJBFA, Composers and songwriters, Denmark - Susi Hyldgaard chairman and Anna Lidell vice chairman
  12. Drehbuchverband Austria, Austrian Screenwriter Association, Austria - Christian Neubacher
  13. DSR – Directors Guild of Slovenia, Slovenia – Urša Menart, Chair
  14. DSR Screenwriters, Slovenia - Matevž Luzar
  15. Dutch Directors Guild, The Netherlands – Martijn Winkler - Chairman
  16. Dutch Writers Guild, The Netherlands, Maria Vlaar - Chair
  17. ECSA, European Composer & Songwriter Alliance, Alfons Karabuda - President
  18. ESPEK – Association of Greek Film Directors-Producers, Greece – Elina Psykou - President
  19. Estonian Filmmakers Union, Estonia – Alvar Kõue - Chairman
  20. EWC European Writers' Council, Gunnar Ardelius - President
  21. FAGA, Foro de Asociaciones de Quionistas audiovisuals, Ana Hormaechea, President
  22. FEMA, Federación Espanola de Músicos Asociados, Spain - Iván García-Pelayo - International Affairs Reprensentative
  23. FERA – Federation of European Film and TV Directors – Dan Clifton - Chair
  24. FLAC, Fédération Luxembourgeoise des auteurs et compositeurs, Luxembourg - Roby Steinmetzer – President
  25. Flemish Writers' Association (Vlaamse Auteurs Vereniging, VAV), Belgium - Natalie Ariën - coordinator
  26. Film Directors Guild of Azerbaijan, Azerbaijan – Huseyn Mehdiyev - Chairman
  27. The Finnish Playwrights and Screenwriters Guild, Finland - Ms Sonia Meltt - Executive Director
  28. The Finnish Music Creators FMC, Finland - Kaija Kärkinen - Chair of the Board
  29. Galician Language Writers Association, Galicia-Spain - Cesáreo Sánchez Iglesias -President
  30. The German Writers' Union, Germany, Lena Falkenhagen - Chairwoman.
  31. La Guilde Française des Scénaristes, France, Denis Goulette - Executive Officer
  32. Greek Directors’ Guild, Greece – Haris Papadopoulos - Chairman
  33. Groupe 25 Images, France – Claire De La Rochefoucauld & Arnaud Selignac - Presidents
  34. Hellenic Authors' Society, Greece - Yiorgos Chouliaras - President
  35. Hrvatsko društvo skladatelja, Croatian Composers Society, Croatia - Ante Pecotić – President
  36. The Icelandic Dramatists Union, FLH (Félag leikskálda og handritshöfunda), Margrét Örnólfsdóttir, Chairman
  37. IMAGO -- International Federation of Cinematographers – Paul René Roestad - President
  38. The Irish Writers' Union, Ireland, Lissa Oliver & Phil Mac Giolla Bháin, Co-Chairpersons
  39. Israel Directors Guild, Israel – Limor Pinhasov, Chairwoman
  40. LARS – Luxembourgish Association of Film Directors and Scriptwriters, Luxembourg – Claude Lahr, President
  41. Latvian Filmmakers Union, Latvia – Ieva Romanova - Chair
  42. Lithuanian Filmmakers Union, Lithuania – Arūnas Matelis - President
  43. Magyar Zeneszerzők Egyesülete, Hungarian Composers' Union, Hungary - Máté Hollós – President
  44. Musimagen - Asociation of Audiovisual composers of Spain, Darío Palomo – President
  45. National Society of Greek Authors, Greece, Eleni Kekropoulou, Vice-President
  46. Netwerk Scenarioschrijvers, the Netherlands, Pieter Bart Korthuis -Chairman
  47. NFF – Norwegian Film Makers Association, Norway – Sverre Pedersen - President
  48. NFR – Norske Filmregissører, Norway – Marianne Kleven, Chair
  49. Nieuw Geneco, Nieuw Genootschap Nederlandse Componisten, Netherland - Felix Rottenberg – Chair, Esther

Gottschalk – Director

  1. NOPA – The Norwegian Society of Composers and Lyricists, Norway, Ingrid Kindem - Chair
  2. Norsk Komponistforeningen, Norwegian Society of Composers, Norway, Jørgen Karlstrøm - Chairman of the Board
  3. ÖGZM, Österreichische Gesellschaft für zeitgenössische Musik – Austria, Dr. Morgana Petrik – Präsident
  4. ÖKB - Österreichischer Komponistenbund, Austria - Alexander Kukelka – President
  5. PDM – Producers and Directors of Montenegro – Montenegro – Ivan Djurovic, President
  6. Portuguese Society of Authors (SPA), Portugal, José Jorge Letria - President.
  7. Rättighetsbolaget/Rights Manager of the Swedish Union for Performing Arts and Film, Sweden – Anna Carlson,

President

  1. Sanasto – Finnish Literary Copyright Society, Finland - Anne Salomaa - Executive Director
  2. Scenario, Switzerland - Jacqueline Surchat - Coordinator
  3. SCGI, Screen Composers Guild of Ireland, Ireland - Sarah Glennane – CEO
  4. SDGI –Screen Directors Guild of Ireland, Ireland-Maurice Sweeney - Chairman
  5. Screenwriters Circle of the Polish Filmmakers Association, Poland, Maciej Karpinski - President
  6. Scriptwriters Guild of Greece, Greece - Alexander Kakavas – President
  7. SFP – Stowarzyszenie Filmowców Polskich/Polish Filmmakers Association, Poland – Jacek Bromski, President
  8. SKAP - The Swedish Society of Songwriters, Composers and Authors, Sweden - Alfons Karabuda – Chair
  9. SKL – Samtök kvikmyndaleikstjóra/Film Directors Guild of Iceland, Iceland – Dagur Kári Pétursson, Chairman
  10. SNAC, Syndicat National des auteurs et des compositeurs, France - Pierre-André Athané – President
  11. Society of Authors (SoA), United Kingdom, Nicola Solomon - Chief Executive
  12. The Society of Finnish Composers, Finland - Antti Auvinen - Chairman of the Board
  13. The Society of Slovene Composers, Slovenia, Nenad First – President
  14. Society of Swedish Authors in Finland, Finland - Peter Sandström – President
  15. SPID - Croatian screenwriters and playwrights guild, (Croatian screenwriters and playwrights guild), Croatia, Zinka

Kiseljak - President

  1. SRF – Société des Réalisateurs de Films, France – Marie Amachoukeli, Bertrand Bonello, Christophe Ruggia, Co-

Presidents

  1. Suomen elokuvaohjaajaliitto SELO ry, Finland – Sakari Kirjavainen, Chair
  2. The Swedish Association of Educational Writers, Sweden - Wiwi Ahlberg, Chair-person
  3. Swedish Film Directors, Sweden – Maria Eriksson-Hecht & Göran Du Rees - Presidents
  4. The Swedish Writers' Union, Sweden - Grethe Rottböll – President
  5. Teaterförbundet – The Swedish Union for Performing Arts and Film, Sweden – Simon Norrthon, President
  6. Tónskáldafélag Íslands - Icelandic Composers' Society, Þórunn Gréta Sigurðardóttir - Chairperson
  7. UCMF, Union des Compositeurs de Musiques de Films, France, Béatrice Thiriet - Présidente
  8. UNAC, Union Nationale des Auteurs et Compositeurs, France - Olivier Delevingne – President
  9. U.N.C.L.A, Unione Nazionale Compositori Librettisti Autori, Italy, Giuseppe Amendola - Secretary General
  10. Unie van Regisseurs vzw – Belgium/Flanders – Jin Berghmans, CEO
  11. Verband Deutscher Drehbuchautoren e.V., Screenwriter’s Guild of Germany, Germany - Sebastian Andrae, Prof.

Peter Henning - Executive Board Members

  1. Vlaamse Scenaristengilde / Flemish Screenwriters Guild, Belgium - Michel Sabbe & Dirk Nielandt
  2. WGGB, Writers’ Guild of Great Britain, UK – Ellie Peers - General Secretary, Gail Renard - Chair
  3. Writers’ Guild of Ireland, Ireland - Thomas McLaughlin – Chairman
  4. The Writers’ Guild of Norway, Norway, Monica Boracco - Chair
  5. Writers Guild of Sweden, Sweden, Pia Gradvall – Chair
  6. The Writers’ Union of Iceland - Iceland, Ragnheidur Tryggvadottir - Executive Manager
  7. The Writers’ Union of Romania, Romania, Razvan Voncu - Director for International Programs
  8. Zwiazek Polskich Autorow, Kompozytorow, Poland – Marek Hojda- Vice-President
  9. Zwiazek Kompozytorow Polskich, The Polish Composers’ Union, Poland - Mieczyslaw Kominek Ph.D. - the President

The 2019 edition of Vilnius IFF Kino Pavasaris began with a show of support for Kirill Serebrennikov, whose romantic and rebellious film “Summer” opened the festival. Attendees illuminated the opening ceremony in solidarity with the director, who remains under house arrest in Moscow amid unfounded accusations.

In his latest feature, Serebrennikov follows young musicians as they search for an escape in the Soviet underground rock scene of the 1980s. The film explores what it means to strive for artistic freedom while oppressed by restrictions.

The crowd at the opening ceremony showed support for Serebrennikov by raising up their phone lights. During the event, experimental music from the band Whale Sounds and a performance by the dance troupe Low Air reflected this year’s festival motto “Don’t rush. Imagine”.

Starting March 21, Vilnius IFF will screen 170 films in 19 Lithuanian cities, inviting viewers to escape their hectic routines.

Find the complete festival programme here https://kinopavasaris.lt/en/programa

Here are the photos from the opening ceremony and party: https://kinopavasaris.myqnapcloud.com:4443/share.cgi?ssid=00W2g3e, when using please credit Audrius Solominas, Gediminas Gražys, Robertas Daskevičiaus and Tautvydas Stukas

MIDPOINT TV Launch is proud to continue its second year of co-operation with festival Series Mania and its industry platform Series Mania Forum. Read more about its participation at the UGC Writers CampusTalent Corner or Broadcaster Think Tank here: MIDPOINT TV Launch at Series Mania Forum 2019MEET US AT SERIES MANIATV Launch Head of Studies Gabor Krigler and Program Coordinator Katarina Tomkova will be attending the Series Mania Forum during March 25 - 27, 2019. Book a meeting!

ACCREDITATIONSDiscover all the accreditations options at:
https://seriesmania.com/en/industry/accreditations

All MIDPOINT TV Launch graduates and participants are invited to be using the TALENT accreditation, for information on a discounted prices, please contact the TV Launch Program Coordinator This email address is being protected from spambots. You need JavaScript enabled to view it..  

INDUSTRY PROGRAMThe program of the Forum is already available at: 
https://seriesmania.com/en/industry/programme-march-25INDUSTRY PARTICIPANTSDiscover all the participants and professionals you can meet at: 
https://seriesmania.com/en/industry/participantsFESTIVAL PROGRAMThe festival program is now also available online:
https://seriesmania.com/en/program/official-competition

VILNIUS: The Vilnius premiere of the Polish/Lithuanian coproduction Habit and Armour drew a crowd of local celebrities for the red carpet event.

BUCHAREST: Asociația Cinemascop is organising, with the support of HBO Europe, a script contest Write a Screenplay for Sebastian Stan. Experienced or newcoming Romanian language scriptwriters are invited to send an outline for either a feature film or a 6-episode TV miniseries.

BRUSSELS: The LUX FILM PRIZE of the European Parliament is once again partnering up with ARTE and ARTEKino to promote over the next three months one LUX PRIZE film monthly as the Film of the Month. Each film will be online for free and with subtitles in 24 languages for one month, from March till May 2019.

TALLINN: Tanel Toom’s debut feature Truth and Justice has become Estonia's most watched film since the country regained its independence in 1991, with 205,595 admissions in four weeks. The record had previously been held by James Cameron's Avatar, with 194,327 admissions.

SKOPJE: Macedonian project The North Pole by Marija Apcevska was awarded at the European Short Pitch – NISI MASA, within the Festival International du Film d’Aubagne (18-23 March 2019).

BUCHAREST: The Board of Management of the Council of Europe's Eurimages Fund, at its 154th meeting held in Bucharest from 12 to 15 March 2019, agreed to support 15 fiction films, two documentaries and one animation project with a total amount of 4,397,000 EUR. Seven of these projects are produced or coproduced by CEE countries.

Film Spot LT – a unique cinema hall at Vilnius Airport presents an updated film program for families. Starting today, two new film programs will be screened at Film Spot LT, which is the first and only airport cinema hall in the Central and Eastern Europe. The cinema hall, which is located next to the Gate 2, operates free of charge and welcomes all passengers of Vilnius Airport to spend time before their flight watching Lithuanian films.

The new repertoire consists of two programs, presenting 9 animated and short films by the most prominent Lithuanian filmmakers of the new generation. Among other films, viewers will be able to enjoy short animated films that have been awarded at international and national film festivals, including Running Lights (lit. “Kaukai”) by Gediminas Šiaulys, Mr Night Has a Day Off (lit. “Pono nakties laisvadienis”) and Woods (lit. “Miškas”) by Ignas Meiliūnas, Noroutine (lit. “Nerutina“) by Jūratė Samulionytė, Saga by Ieva Miškinytė, Junction (lit. “Virsmas“) by Nathan Jureviciaus. Also, short films The Last Day (lit. “Paskutinė diena“) by Klaudija Matvejevaitė, Not lucky today (lit. “Nesiseka šiandien’) by Dovilė Šarutytė and The Mother’s Day (lit. “Motinos diena”) by Kamilė Milašiūtė.

“The idea of having cinema halls in the airports is increasing in popularity among the biggest airports. We are glad to note that Film Spot LT cinema hall was one of the first ones not only in the Eastern and Central Europe but in the whole world. It is one more platform for promoting Lithuanian films and gives us a chance to reach both, Lithuanian and foreign cinema lovers. Together with our partners Lithuanian Short Film Agency we regularly updated the program. The new program is aimed at families, parents and the little passengers for whom the waiting time before the flight can be a great challenge. The length of the program is less than an hour to lessen the odds of missing the flight”, – says Dovilė Butnoriūtė, the Head of Lithuanian Film Centre’s Film Promotion, Information and Heritage Department.

The Film Spot LT was initiated by the Lithuanian Film Centre in 2015. The film program was created and is regularly updated in co-operation with the Lithuanian Shorts Agency that has been part of Film Spot LT since its inception. “Very often we are praised by our foreign colleagues for this unique platform that gives an opportunity to present Lithuanian shorts for wider audiences. Every year when updating the program, we want to make it interesting and relevant to both, Lithuanian travelers and foreign visitors. We also seek to introduce Lithuanian filmmakers of different generations, promote their work and our country's cinema culture in general,” – says Rimantė Daugėlaitė, the Head of Lithuanian Shorts Agency.

The Film Spot LT cinema hall has 50 seats and is in the departure area of Vilnius Airport next to the Gate A2. Its working hours are adapted to the flight schedule – films are shown from the first to the last flight of the day.