EFP Highlights Ten Outstanding European Women Directors at SFF
EUROPE! VOICES OF WOMEN IN FILM at the Sydney Film Festival (5 – 16 June 2019) showcases the works of outstanding European women directors to the Australian audience, film industry and press. In its fourth year, the thriving cooperation between EFP (European Film Promotion) and the festival to promote European cinema provides a thrilling insight into the works of truly new European voices in film in its final selection made by SFF's festival director Nashen Moodley: six directors are presenting their first feature films and three of them their second. Also taking a strong interest in their work is the acclaimed Australian producer Jan Chapman (“The Piano”), the programme’s ambassador from the very beginning. The initiative is made possible with the support of Creative Europe – MEDIA Programme of the European Union and the respective EFP member organisations.
Six directors will attend the festival this year and take part in special networking events organised by SFF and EFP. They will meet Australian distributors and producers and discuss the state of affairs of gender equality in the business in a panel discussion moderated by Sarah Ward, critic for the programme’s media partner Screen International. As part of a new cooperation Festival Scope also makes the films available for industry players from the region. On hand to discuss their films with the great festival audience are: Carolina Hellsgård (Germany), Marianna Economou (Greece), Asthildur Kjartansdóttir (Iceland), Tonia Mishiali (Cyprus), Esther Rots (The Netherlands), and Elena Tikhonova (Austria).
The directors presenting their feature film debuts are the multi-talented Tonia Mishiali from Cyprus, who served as the screenwriter, director and producer on her drama Pause. She tells the story of a woman trying to escape from an oppressive marriage, as seen only from her protagonist’s point of view. Also struggling is Dorien, who has to rediscover herself when her picture perfect family starts falling apart in the comedy-drama The Best of Dorien B. by the Belgian director Anke Blondé. In The Deposit, the Icelandic writer-director Ásthildur Kjartansdottir follows the journalist Gisella, who tries to give her life more meaning by helping three immigrant women. In the Austrian comedy Caviar by Elena Tikhonova, the interpreter Nadja discovers the upside of working for a Russian oligarch. Together with her best friends, she devises a scheme for making much better use of his money. British writer-director Harry Wootliff shows a very contemporary take on the thrills of falling in love and the difficulties of staying that way in Only You, starring Josh O’Connor and Laia Costa.
Danish filmmaker May el-Toukhy collaborates again with Trine Dyrholm for her second feature film, with the actress this time playing a successful lawyer, happily married with twins, who risks everything when she falls for her teenage stepson in Queen of Hearts. The great Danish actress also appears in Endzeit – Ever After, the second feature film of Carolina Hellsgård – born in Sweden and based in Berlin –, who thrills her audience with her new take on zombie films, while Esther Rots explores new, exciting ways of narrative storytelling in the Dutch psychological drama Retrospekt.
The programme also includes two documentaries: the feature debut Scheme Birds by Ellen Fiske and Ellinor Hallin follows Scottish teenager Gemma, a soon-to-be mother, as she tries to stay out of trouble and carve out a life of her own. Completing the very diverse line-up is the award-winning Greek filmmaker Marianna Economou whose When Tomatoes Met Wagner focuses on the incredible story of a small Greek village that cultivates old tomato varieties – with a little help from classical music – and starts selling its jars of organic tomatoes around the globe.
The supporting EFP members are: AFC – Austrian Films, British Council, Danish Film Institute, Eye International (The Netherlands), Flanders Image, German Films, Greek Film Centre, Icelandic Film Centre, Ministry of Education and Culture of Cyprus, Swedish Film Institute.
ABOUT SYDNEY FILM FESTIVAL
From Wednesday 5 June to Sunday 16 June 2019, the 66th Sydney Film Festival offers Sydneysiders another exciting season of cinema amidst a whirlwind of premieres, red-carpet openings, in-depth discussions, international guests and more. Sydney Film Festival also presents an Official Competition of 12 films that vie for the Sydney Film Prize, a highly respected honour that awards a $60,000 cash prize based on the decision of a jury of international and Australian filmmakers and industry professionals. Previous Sydney Film Prize winners: The Heiresses (2018), On Body and Soul (2017); Aquarius (2016); Arabian Nights (2015); Two Days, One Night (2014); Only God Forgives (2013); Alps (2012); A Separation (2011); Heartbeats (2010); Bronson (2009); and Hunger (2008). The Festival is a major event on the New South Wales cultural calendar and is one of the world’s longest-running film festivals. For more information visit: sff.org.au. The 66th Sydney Film Festival is supported by the NSW Government through Create NSW and Destination NSW, the Federal Government through Screen Australia and the City of Sydney. The Festival’s Strategic Partner is the NSW Government via its tourism and major events agency, Destination NSW. For more information on EUROPE! VOICES OF WOMEN IN FILM, please go to www.efp-online.com
EFP (European Film Promotion) is an international network of film promotion institutes from 37 countries from throughout Europe, each representing their national films and talent abroad. Under the EFP flag, these organisations come together to jointly promote the diversity and spirit of European cinema and talent at key film festivals and markets, in particular outside of Europe. EFP is financially supported by the Creative Europe – MEDIA Programme of the European Union and by its member organisations. The Hamburg-based office is backed by the German Federal Government Commissioner for Culture and the Media, the Film Fund Hamburg Schleswig-Holstein and the Ministry of Culture of the City of Hamburg. The EUROPE! VOICES OF WOMEN IN FILM programme is in partnership with the Sydney Film Festival and in media partnership with Screen International, Fade to Her and Festival Scope.
We are proud to host this year’s edition of Developing Your Film Festival - Creative Europe funded training for film festival professionals, taking place at New Horizons International Film Festival in Wroclaw from 22-28 July.
If you want the next edition of your film festival to have a bigger audience, stronger international reputation and improved sponsorship and partnerships, this course was designed for you. The course is 100% recommended by all previous participants, which include over 170 film festivals from around the world.
Don’t miss your opportunity to discover the secrets of success from top film festivals and apply now. Deadline 16 May 2019.
Scholarships and bursaries are available.
Eva Tomanova documents the life of a swindler in the Czech documentary Another Chance.
We are happy to announce that industry accreditations for the 19. New Horizons International Film Festival, held in Wrocław on July 25 - 4 August 2019 can now be booked online via the festival's website: www.nowehoryzonty.pl
This year you can purchase an industry accreditation for the whole festival as well as a 6-day pass.
The industry accreditation costs:
→ from May 7 to May 31 - 350 PLN (including tax)
→ from June 1 to June 30 - 390 PLN (incuding tax)
A 6-day pass costs:
→ from May 7 to May 31 - 200 PLN (including tax)
→ from June 1 to June 30 - 215 PLN (incuding tax)
6-day pass' buyer is obliged to choose the date of stay at the festival i.e. indicate 6 consecutive days of their stay.
They will be available for purchase from 7th May, 2019 until all accreditations have been sold, but not later than 30th June, 2019.
Conditions of Industry Pass Use and Purchase
Apply for industry accreditation
The New Horizons International Film Festival is committed to expanding its international presence and building long-term relationships with the world film industry professionals. Festival brings excellent opportunities to meet, discuss and exchange ideas, find co-producers and discover new talent. More than 600 film professionals visit our festival every year.
The industry accreditation allows you to attend all film screenings after prior online booking and enter the festival club.
In case of further questions contact:
Weronika Czołnowska: This email address is being protected from spambots. You need JavaScript enabled to view it.
The European VoD Meetings is the first European professional training especially conceived for the Video on Demand sector. It is organised by EuroVoD and co-funded by the Creative Europe MEDIA Programme.
The European VoD Meetings is the first European professional training especially conceived for the Video on Demand sector.
It is organised by EuroVoD and co-funded by the Creative Europe MEDIA Programme.
The goal of the training is to reinforce the competitiveness of the European VoD platforms, preserving the richness of the cultural diversity of their catalogue, through the transmission of know-how and peer-to-peer learning, by fostering the implementation of innovative projects, producing an updated and comprehensive analysis of the needs of the sector and its opportunities, and stimulating a better comprehension of the dynamics that could influence the circulation of European, arthouse and independent films in Europe as elsewhere.
The training is born from the urgency of the European VoD platforms to network and benchmark, fostering the dialogue within the chain of rights and with the service providers, feeding a knowledge economy for the benefit of all the industry and finally to the european creativity. Video on Demand is a young sector the industry based on innovation and gathering different knowledges and backgrounds in tech & film that need a constant up to date: transparency, communication, data analysis, cooperation, confrontation about the hot topics of the business, development of new projects, acquisition of technical, artistic, marketing, trading and management tools.
Some info about the 1st edition of the European VoD Meetings:
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Venice, 3-6 September 2018:Programme and the list of participants
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Berlin, 6-9 February 2019: Programme and the list of participants
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THE 2ND EDITION of the EVODM training is organised in 2 residential workshops, 4 days each of lectures, workshops, public conferences, case studies, debates, business and trading opportunities. You can apply for one workshop or for both.
WHEN & WHERE
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2-5 September 2019 / Italy, Venice (San Servolo Island) - during the Venice Film Festival & Venice Production Bridge
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18-21 March 2020 / Bulgaria, Sofia - during the Sofia Film Festival & Sofia Meetings
TRAINEES
35 European and 5 Non-European executives and intermediate professionals per workshop:
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VoD platforms (marketing, technical, editorial, trading, management departments)
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Aggregators, distributors, producers, cinemas, festivals, authors, rights holders and other audio-visual professionals willing to work and collaborate with VoD platforms or set up new services
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Service and technical providers working with or interested to work with VoD platforms
PROGRAMME OF WORKSHOP 1
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2nd SEPT: Arrival & Opening session, Networking cocktail and dinner
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3rd SEPT: EUROVOD Public Conference & VoD Market Day
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4th SEPT: Marketing, Design Thinking, Audience Development and Technical workshops
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5th SEPT: Fundraising, AV Business Planning, Content licencing, Closing party
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6th SEPT: Departures
The full programme, with the list of the experts and speakers, will be published in the upcomong weeks.
PARTICIPATION FEE
1.050€, including: tuition fees, pedagogical tools (on-line and off-line), business facilities, 4 nights' accommodation on San Servolo island campus, full board (breakfast, lunch, dinners, cocktails), some public transports, the participation to the VoD Market Day (public conference, market and B2B meetings).
REBATES
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No accommodation on San Servolo island, where the training takes place = rebate of 390€
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Accommodation in a shared bedroom with another training participant = rebate of 100€
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Members of our partner EAVE = rebates of 200€
SCHOLARSHIPS
A limited number of scholarships is available thanks to the Creative Europe MEDIA programme of the European Commission, given in priority to participants from European countries at low audiovisual production capacity. Other scholarships are accorded by EuroVoD to its members as a rebate on the training fees. If you want to benefit from a scholarship, kindly mention it on the application form below.
Participants attending both workshops in Venice and Sofia can’t benefit from a scholarship twice.
Applicants are encouraged to apply for financial support with their national funding bodies first, like eg. national film funds.
Submissions for the 21st edition of connecting cottbus,Submissions for the 21st edition of connecting cottbus,the East-West co-production market at the FilmFestivalCottbus on 6—8 November 2019, are now open.
The longest-running networking event for film professionals active in East-West European co-production, connecting cottbus (coco) continues its success rate of completed films, with every fourth project pitched premiering at an A-level festival. Last year, these coco alumni included CRYSTAL SWAN (Belarus/USA/Germany/RussianFederation), THE WILD FIELDS (Ukraine/Switzerland) and PAUSE (Cyprus/Greece), while THE LOAD (Serbia/France/Croatia/Iran/Qatar) has so far screened at over 30 festivals worldwide since its premiere at Cannes Directors’ Fortnight 2018.
Director Sergey Dvorstevoy (AYKA) will pitch his new project at coco this year, as recipient of the Special Pitch Award for the winner of the main prize at the FilmFestival Cottbus. This was announced at the traditional Eastern European Brunch during the Berlinale, together with the D-Facto Motion color-grading award for the Georgian project BRIGHTONd4, directed by Levan Koguashvilli, presented at the previous cocoWIP. This year’s edition of coco also sees a new collaboration with Fantastic Zagreb Film Festival to boost the presence of genre projects.
In total, thirteen pitch projects and six works in progresswill be selected and presented at connecting cottbus on 6—8 November 2019. All projects compete for a variety ofsponsored awards, further details will be announced inthe coming months, along with news on the framework programme exploring latest industry topics.
Producers can submit feature film projects indevelopment (fiction only) for the coco PITCH section until 17 July 2019, projects in production or post-productionfor coco WIP until 22 August 2019. For both sections,projects have to originate in or relate to broader Eastern Europe, or be suited for East-West co-production. Selections will be announced in early September.
Producers, sales agents, commission ingeditors and other industry representatives can apply without a project until 7 October 2019.
We look forward to receiving your submissions! Your coco team
GET IN TOUCH
for more information about coco and projecteligibility, meeting requests for Cannes, etc.:This email address is being protected from spambots. You need JavaScript enabled to view it./connecting.cottbus
COTTBUS: The 21st edition of connecting cottbus, the longest-running East-West coproduction market, has opened its call for submissions to the event which runs 6-8 November 2019.
ZILINA: The Slovak animation festival Fest Anca, running 27-30 June 2019, has announced its complete lineup of films, with a new section devoted to a panorama of Slovak films added this year.
ALMOST THERE! SUBMIT YOUR PROJECT TO
KVIFF EASTERN PROMISES 2019!
We would like to remind you that the submission deadlines for Film Industry projects at Karlovy Vary IFF are approaching!
WORKS IN PROGRESS 2019
The presentation of the new quality films in post-production or recently finished films from the countries of Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa. This year, Works in Progress will be held for the 15th time.
The last year’s WiP winner ALL THIS VICTORY (dir. Ahmad Ghossein – Lebanon, France, Germany) was awarded 90 000 EUR in services from our festival partners UPP, Soundsquare and 10 000 EUR cash award from Barrandov Studio.
The deadline for submissions is May 15, 2019.
Find out more and submit your project at our official WiP website.
EURIMAGES LAB PROJECT AWARD 2019
For the fourth time, Karlovy Vary IFF will select a recipient of the Eurimages Lab Project Award.
The award is intended for the most promising cutting-edge film project which is made outside traditional rules of filmmaking both in terms of dramaturgy and production.
The last year’s ELP winner NORMAL (dir. Adele Tulli – Italy, Sweden) received 50 000 EUR cash award from Eurimages. The finished film had its world premiere at the 69th Berlin International Film Festival.
The deadline for submissions is May 8, 2019.
12th Fest Anča International Animation Festival has published the list of films that will compete for the main awards this year. More than 1200 short animated films and music videos from all over the world were submitted for the competition this year. The official selection includes 11 screening sections, 4 of them are competitive categories.
This year, the festival will screen a remarkably high number of new Slovak animation. For the first time, Fest Anča has decided to screen not only the Competition of Slovak Films, but also a non-competitive Slovak Panorama, showcasing contemporary local animation in all its forms.
Don’t miss the opportunity to discover the best contemporary animation from 27 June to 30 July 2019 in Žilina. Limited early bird festival passes are still available on Fest Anča’s website.
Here’s the complete listing of films selected for the 12th Fest Anča programme:
Films competing for Anča Award + Anča Student Award
Bloeistraat 11 | Nienke Deutz |
III | Marta Pajek |
Don’t Know What | Thomas Renoldner |
Sweet Sweat (s) | Jung Hyun Kim |
Solar Walk | Réka Bucsi |
Days off (s) | Filip Blažek |
Cat Days | Jon Frickey |
Dancing Frog | KIM Jin-man |
For life | Roberto CATANI |
Fest | Nikita Diakur |
Mr. Mare | Luca Tóth |
The Hunt | Mateusz Jarmulski |
The Fall | Boris Labbé |
Sounds Good (s) | Sander Joon |
Wicked Girl | Ayce Kartal |
Our House (s) | Fábián Balogh |
Parsley girl | Youngmee Roh |
The Other (s) | Marta Magnuska |
Under the Rib Cage | Bruno Tondeur |
Cold Pudding Settles Love | Urszula Palusińska |
Still Lives | Elli Vuorinen |
Hide N Seek | Barbora Halířová |
Acid rain | Tomek Popakul |
Slug Life | Sophie Koko Gate |
Julia (s) | Julian Gallese |
300 g/m2 (s) | Kamila Kučíková |
My Little Goat (s) | Tomoki Misato |
(s) = student film
Video Clips competing for Anča Music Video Award
Vacationer: Magnetism | Raman Djafari |
Pike tail | Anna Kislova |
Corps – À corps | Yoann Stehr |
Sigrid: Focus | Moth Studio |
Mind Invaders | Frederic Siegel |
Fjaak: I Could Never Live Without You by my Side | Raman Djafari |
Kittone! | Sivan Kidron |
Lasagne Rhythm | Antony Barkworth-Knight |
A man in the internet | Anastasia Vorobeva |
Four Years Time | Milo Lu |
Aphotic Zone | Soyun Park |
Reach the Sky | Daniel Sterlin-Altman |
Ruunpe | Boris Labbé |
A.B.O.P. | Katarzyna Kijek |
Cadaver Synod | Peter Serruys / Mr. Eightyone |
Flush It Out (Official Music Video for Likvid & Dan Riley) | Marian Vredík a Jana Vredík Hirnerová |
Me | Ekaterina Zhuzhleva |
Nauru | Petra Stipetic and Maren Wiese |
Glass Onion | Alasdair + Jock |
Cranberry Pearls | Harriet Titlow |
40 Point – Vels Trio (feat. Shabaka Hutchings) | Steph Hope |
Simple Song | Matthew Robins |
Her Name’s On My Cock | Mykyta Lyskov |
Odds and Evens | Michał Czyż |
Housing-Estate Dream | Katarína Krajčiová |
Fairytale | Jakov Burov (Ivanusa) |
But one bird sang not | Pierre Hébert |
Films competing for Anča Kids’ Award
Kuap | Nils Hedinger |
Sloth | Julia Ocker |
Quiet Willow | Shiyii Xiong |
The Man with the Birds | Quentin Marcault |
Avalanche | Veronika Kocourková |
Flipped | Hend Esmat and Lamiaa Diab |
The Kite | Martin Smatana |
Last Day of Autumn | Marjolaine Perreten |
Films competing for Anča Slovak Award
300 g/m2 | Kamila Kučíkova |
Fifi Fatale | Mária Kralovič |
I am not Playing Anymore | Matej Babic |
A date | Michaela Mihalyi |
Poetika Anima | Kriss Sagan |
Avalanche | Veronika Kocourková |
Flush It Out (Official Music Video for Likvid & Dan Riley) | Marian Vredík a Jana Vredík Hirnerová |
The Kite | Martin Smatana |
World Panorama
Imbued Life | Ivana Bosnjak, Thomas Johnson |
Circuit | Delia Hess |
Rain | Piotr Milczarek |
Flood | Malte Stein |
Spines | Elisa Morais, María Álvarez |
The deep end | Elise Augarten |
Applesauce | Alexander Gratzer |
Li.Le | Natia Nikolashvili |
Do It Again | Hsin Hsuan Yeh |
Broken Things | Panni Gyulai |
The Flood Is Coming | Gabriel Böhmer |
Life24 | Kristjan Holm |
Good Intentions | Anna Mantzaris |
Ooffee | Alexandros Vounatsos |
Sweet Night | Lia Bertels |
Where I was born | Jungmin Cha |
Mitya’s Love | Svetlana Filippova |
Medium Rare | Luca Cioci |
Intermission Expedition | Wiep Teeuwisse |
The calves | Bela Bulgakova |
Comfort | Weronika Banasinska |
Grandpa | Zozo Jhen, Tena Galovic, Marine Varguy, Yen-Chen Liu, Ellis Kayin Chan |
Butterboo | Emilie Pigeard |
CEVA | Paul Muresan |
Monster | Laura Pop |
Deep Love | Nikita Liskov |
Big | Anastasiia Belousova |
The Death Vendor | Jeon Jinkyu |
Adorable | Cheng-Hsu Chung |
Floreana | Lou Morton |
Lola the living potato | Leonid Shmelkov |
Slovak Panorama
Housing-Estate Dream | Katarína Krajčiová |
Bearserker | Bálint Alló |
PANTOPOS | Eni Brandner |
Bored on Retirement | Szilard Kardiak |
Žabí rauš – Do lesov | Slavo Turanec |
Save your files | Jakub Bondor |
Machine | Slavo Turanec |
Persona Grata | Daniela Krajčová |
Born Free | Norbert Neuschl |
World Panorama for Kids
On the same wavelength | Radoslava Lacková |
Giraffe | Julia Ocker |
Cloudy | Zuzana Čupova/ Fillip Diviak |
Koyaa – Slippery Soap | Kolja Saksida |
Ray’s Great Escape | Jie Weng |
Fire | Veronika Kocourková |
Bobo | Andrej Rehak |
Cat Lake City | Antje Heyn |
The Witch | Anna Němečková |
First Step | Petra Kožar |
Anglerfish | Julia Ocker |
Saturday’s Apartment | JEON Seungbae |
Sing Along | David Súkup |
R.I.S.E Pathfinder | Chloe Dumoulin, Clementine Dudreuilh, Alexandre Fruitet, Megane Nousse, Gabriel Sepulchre. |
Contemporary Abstract and Non-narrative Animation
The Dawn of Ape | Mirai Mizue |
Matter and Motion | Max Hattler |
Windshriek | Frédéric Doazan |
Sun Zoom Spark | Gina Kamentsky |
Orbit | Tess Martin |
Nada | Tara Dougans |
Half Asleep | Caibei Cai |
Paper Trail | Jake Fried |
Suggestion of least resistance | Michelle & Uri Kranot |
Edge | Steven Subotnick |
Erebeta | Francois Vogel |
Artist and Friend | Daniel Wesseik |
Selfshe | Kamila Müllerová |
Tetarape | Boris Labbé |
Anča in Wonderland
Catus Pocus | Merry Wijaya and Yujin Sick |
A Cup of Tea in the Rainy Weather | Petre Tomadze |
Sky City | Zhongsu |
6:1 | Sergei Ryabov |
Boilermaker | Risto Kütt |
29 | Aleksandra Brozyna |
Mouth(S) | Mathieu Girard |
Bird Breakfast | Owen Roberts |
After | Matouš Valchář |
Top 5 Animation Containers | Ben Wheele |
Bulba | Olga Kalagate |
.MP4 | François Grumelin-Sohn |
Opening Night | Margaret Bialis |
St. Constantine and Methodius – Anime Opening ( E P I C ) | Lucia Gazdíková |
Journey to the Magic Waterfall | Bogna Kowalczyk |
Whispering Onion | Akari Hiraoka |
Dacha, Aliens, Cucumbers | Ekaterina Mikheeva |
Symbiosis | Paul Raillard |
Hideouser and Hideouser | Aria Covamonas |
The Last Coffee on Earth | Oktawian Jurczykowski |
Love of Mud | Petra Stipetic |
The Last Man on Earth Sat Alone in a Room | Junyi Xiao |
Night session | Petre Tomadze |
Shy & Ketchup | Teresa Romo |
Bored on Retirement | Szilard Kardiak |
Story | Antonio Iandolo |
Anča in Mordor
Only one dream money in the world | Mikio Saito |
Fallen | Klaus Schuster |
Do Corpses Dream of Electric Roses | Darko Vukic |
Beetroot | Marijan Loncar Bondo |
Supersad(opus)_01 | Faiyaz Jafri |
Re:print 12. | Davorin Marc |
Buffer Zone Blues | Franz Milec |
Machine Gun Mama | Justine Klaiber and Marwan Abdalla Eissa |
Robot show | Saeed Amin Javaheri |
Tailor Of Destinies | Tode Risto Blazevski |
Euphorbia | Jessica Wheeler |
An old man with green tea leaf hands | Mikio Saito |
Babalon Temple | Mauri Lehtonen |
Awkward Silence | Gašper Kunšič |
Pattern Cognition | Thorsten Fleisch |
Four Riders | Dominik Turan |
Extremely Short Section of Extremely Short Films
Out of Touch | Arash Akhgari |
Business Meeting | Guy Charnaux |
Consequences | Rajesh RS |
Desert Boy | Adrian Grgurev |
Clonilly | Izabella Retkowska |
Congratulations! | Lidia Lidia |
The Freak | Grant Kolton |
Reviver | Shalev Ben Elya & Renen Adar |
Three Messages From the Mind of a Believer of Nothing | Lee and Eliška Oz |
Cybercrime | Yu Feng |
4AM | Diana Jordan |
The Choice | Sepehr Shokri |
Date Night | Zhaoyi Liu |
What Remains | Catherine Kennedy |
Unknown | Saeed Amin Javaheri |
Dolphin | Saeed Amin Javaheri |
Replication | Saeed Amin Javaheri |
Space | Saeed Amin Javaheri |
Endless experience | Anastasia Vorobeva |
Dream Drum Dream | Ileana Andrea Gomez Gavinoser |
Transformation, A Story By Kelly Gavinoser | Ileana Andrea Gomez Gavinoser |
Black hole | Rutger van de Wiel |
The Rise Of Polaris | Vladimira Milanova |
Ride | Richard O’Connor |
Wolves at Night | Fernanda Resende Serradourada |
Safe space | Ekaterina Zhuzhleva |
No Peace in the Studio | Žoel Kastelic |
A Magical Evening | Arseni Okruashvili |
Jim Zipper | Alexandre Roy |
Grey Studio | Çağıl Harmandar |
Boom & Bust (Vicious Cycles #1) | Wobbe F. Koning |
Spawn (Vicious Cycles #2) | Wobbe F. Koning |
An Address to a President | Nэno Bэlchэv |
Monsters Walking | Diego Porral Soldevilla |
Moon | Miriama Trnavská |
The Postcard | Device |
Backwards | Amigo Total |
Things You Can Do With Extendable Arms | Luca Paulli |
Antic Mirage | Emma Van den Bergh |
Circus | Pavel Endrle & Martin Hahn |
Master painter Bah Bizon | Uli Seis |
Best friends | Odinokov Andrei |
Medium Rare | Juan Martín González |
Hair Wars | Bui Luu Quynh Nguyen |
Procrastination | Nata Metlukh |
The Old Snake Fell Asleep On The Grass | Dominica Harrison |
Ciciri | Boris Labbé |
Hallucinations | Stognieva Alina |
Voracious | Lucas Ansart, Miriam Lazrak, Arthur Sevestre,
Chloé Forestier, Julie Paturange, Loïck Piton |
High Noon | Lucie Andouche, Thomas Appleman, Luc Armanet,
Ambre Decruyenaere, Cécile Despretz, Camille Sallan |
Give me a french fessée | Lucas Ansart, Camille Sallan, Laura Passalacqua, Loïck Piton |
Delta | Salomé Rouaud-nicod, Noémie Bevierre, Elodie Ferrer,
Clothilde Hiron, Lou Maurice De Reparaz, Clarisse Ye |
Délice | Etienne Faivre, Louis-alexandre Lucotte, Manu Mohnblatt, Marie Deboissy |
Cold Warmness | Helena Friedmannová |
Love Bomb | Łukasz Pallado |
Tobias Tatu | Júnia Consani |
BORK | Martin Berta |
Machine Gun Mama | Justine Klaiber and Marwan Abdalla Eissa |
Fernand Léger. Beauty is Everywhere | Fong Nicolas |
2019 Fest Anča International Festival is financially supported with public funds from the Slovak Audiovisual Fund.