On the occasion of the 74th Berlinale, the 20 contributors to the European Solidarity Fund for Ukrainian Films made official its renewal for a second year on 20th February.

Endowed with €1.5 million, i.e. €300,000 more than in 2023, this multilateral programme, coordinated by the CNC, aims to support works by Ukrainian filmmakers whose projects have been interrupted since the outbreak of Russian aggression on Ukrainian soil or for whom it is difficult to launch new projects in this context.
The Fund also aims to encourage creative and technical exchanges between professionals from the contributing countries and Ukrainian professionals through co-productions.

When it was launched a year ago at the 73rd Berlinale, the Fund was financed by thirteen European countries and the EFAD association (European Film Agency Directors). Today, the association and 19 European ministries and national film funds participate in its financing. In December 2023, four new members joined as contributors: the Bulgarian National Film Center, the National Film Institute of Hungary, the National Film Center of Latvia and the Spanish ICAA.

Three films supported by the Fund in competition at the Berlinale

In its first year, the Fund issued two calls for entries and supported 29 projects announced at the last Cannes Film Festival. Three of these works will be presented at the Berlinale: The Editorial Office by Roman Bondarchuk (post-production), presented as part of the Berlinale Forum; Antonivka by Kateryna Gornostai (development), presented at the co-production market and Screaming Girl by Antonio Lukich (development), presented at the co-production market and winner of the Eurimages prize.

In order to continue to encourage co-productions between Ukrainian companies and those established in a contributing country, two specific calls are being launched from 21st February 2024: the first is dedicated to projects in the development phase (application from 21st February to 5th April) and the second concerns projects in the finalisation phase (application from 21st February to 15th March). The projects selected will be chosen by a committee of seven independent experts.



France:  CNC (coordinator), Germany: BKM (Ministry of Culture), Belgium: CCA, Bulgaria: Bulgarian National Film Centre, Croatia: HAVC, Denmark: Danish Film Institute, Spain: ICAA, Estonia: Estonian Film Institute, Greece: Greek Film Centre, Hungary:National Film Institute Hungary, Ireland: Screen Ireland, Italy: MIC (Ministry of culture), Latvia: National Film Centre of Latvia, Lithuania: Lithuanian Film Centre, Luxembourg: Film Fund Luxembourg, Norway: Norwegian Film Institute, The Netherlands: Nederlands Film Fonds, Portugal: ICA, United-Kingdom: UK Global Screen Fund (BFI) and EFAD, the European association of film agencies.


Only a few months ago, the filming of Katarína Gramatová’s debut fiction feature, Promise, I'll be Fine, wrapped. Previously, Gramatová’s made the short film Cherries, which won the Jury award at Zlin international film festival. Gramatová works primarily as an editor, after completing her studies at VŠMU Bratislava. Through this, she has worked with major brands on commercials, and collaborated on the music video for French artist Stromae - Sante, which currently has over 55 million views on YouTube and was nominated for Best Editing at Ciclope festival.

The CEE Animation Workshop has entered it’s sixth year with a new selection of participants and animated projects in development. The programme is again welcoming projects and participants from different countries, while still maintaining focus on the CEE region and low production capacity countries. Among 38 applications from 26 countries, the organizers have carefully selected 12 projects and 28 participants from 13 countries who will attend the 2024 edition of the CEE Animation Workshop.

For an entire week in March, film enthusiasts will have the opportunity to attend inspiring meetings with world-renowned film professionals. DoP José Luis Alcaine, known for his long-term collaboration with Spanish director Pedro Almodóvar; Tariq Anwar, editor of such films as American Beauty or The King’s Speech; cinematographer Peter Suschitzky, who has worked on cult classics like Star Wars: The Empire Strikes Back – these are only some of the illustrious guests coming to Bratislava to share their experience and know-how with film students, industry professionals, as well as casual cineastes.

The following grants were announced by the National Film Institute – Hungary throughout 2023.

Docu Rough Cut Boutique reveals its new slate of projects, marking the 14th edition of the programme.

Last phase for project submission has started!  LATE FEE DEADLINE IS THE 4TH OF MARCH 2024

Berlin, February 1, 2024: T-Port - the online market for short films is pleased to announce that the lauded film curator and distribution expert Nikolaj Nikitin is joining their team as  Head of Finance & Operations. Meanwhile, after six years as Managing Director, Co-Founder Niv Fux is stepping down to focus on his role as Festival Director of Leiden Shorts and on curatorial work.

JOIN US FOR A DIVE IN THE ONLINE MARKET! The post-pandemic economy and consumption patterns are still challenging for independent films and finding a profitable balance, especially online, is not an easy win. This panel considers the complex subtleties of the VOD market which varies enormously from one market to another, and the subsequent need to develop a better understanding of the current state of play of online distribution.