Czech Republic

The Painted Bird by Václav MarhoulMARKET ANALYSIS 2019

PRAGUE: Czech cinema enjoyed domestic and international success with numerous feature films, documentaries and also several short films in 2019. The year was marked by a growing number of coproductions, the so far highest spend of international film crews shooting on Czech locations and exceptional box office results.

The Painted Bird directed by Václav Marhoul was selected as Czech Republic’s candidate for the 92nd edition of the Academy of Motion Picture Arts and Sciences award in the International Feature Film category. The film is the first Czech majority coproduction selected for the main competition of the Venice Film Festival (2019) in 25 years and it was also selected for the Special Presentations section of the 44th Toronto IFF (5-15 September 2019).

Jiří Mádl’s sophomore feature On the Roof won the main prize at the Mannheim-Heidelberg International Filmfestival, Michal Hogenauer’s debut feature A Certain Kind of Silence won the Bronze Pyramid Award at the Cairo IFF and the Slovak/Czech coproduction Let There Be Light by Marko Škop won the main prize at the Almaty FF.

The most successful Czech documentary of 2019 was Forman vs. Forman by Helena Třeštíková, which premiered in the Cannes Classics section of the Cannes Film Festival and was screened afterwards at another 40 festivals.

The animated short film Daughter / Dcera by Daria Kashcheeva won the Cristal for a Graduation Film at the Annecy International Animated Film Festival as well as the Children’s Jury Prize for Best Student Film. The film has won approximately 40 awards, including the prestigious Student Academy Award for best animated film (International Film Schools category), and it was nominated for the Academy Award in the Animated Short Film category.

Daughter by Daria KashcheevaPRODUCTION

More than 100 Czech feature films and long documentaries were in various stages of production in 2019, including numerous international coproductions. The coproducing countries traditionally included largely represented Slovakia, Poland, Slovenia, Romania, Lithuania, Hungary, Germany, Switzerland, the Netherlands and Russia.

As far as the topics and genres of the feature films are concerned, period films - both from older and more recent Czech history - represent a substantial part of the 2019 production, but films on political and social subjects are made more and more often. Filmmakers of all genres also often touch ecological problems of today´s world. Comedy remains a successful genre in Czech cinemas, as well as films for children, including long animated films.

Beside experienced and renowned directors shooting new films, numerous debut features were also produced in 2019.

Important films were in postproduction or completed in 2019 after several years of production. Among them are the US/Czech/UK coproduction Medieval / Jan Žižka directed by Petr Jákl and produced by WOG FILM; Agnieszka Holland’s Charlatan / Šarlatán produced by Marlene Film Production (CZ) and coproduced by Film and Music Entertainment (IE), Madants (madants.pl, PL), Furia Film (SK), the Czech Television, Barrandov Studio (CZ), the Radio and Television of Slovakia, CertiCon (CZ) and Magiclab (CZ); and Juraj Jakubisko´s Czech/Slovak fantasy coproduction Perinbaba and the Two Worlds / Perinbaba a dva světy, produced by the Czech company J&J Jakubisko Film Europe SE in coproduction with J&J Jakubisko Film Europe Production Slovakia and JOJ TV.

Other important films produced in 2019 include People of Blood / Lidi krve directed by Miroslav Bambušek and produced by Czech FreeSaM in coproduction with Germany’s Jana Cisar Filmproduktion, the Czech Television and Slovakia’s atelier.doc; Brothers / Bratři directed by Tomáš Mašín and produced by Czech FilmBrigade in coproduction with the Czech Television, Germany’s Rohfilm Productions and Slovakia’s PubRes; Nightsiren / Světlonoc directed by Tereza Nvotová and produced by Czech moloko film and Perinbaba and the Two Worlds by Juraj JakubiskoSlovak BFilm in coproduction with France’s Senorita Films; I Don´t Like You Anymore / Už tě nemám rád directed by Zdeněk Jiráský and produced by Czech i/o post in coproduction with Romania’s Tangaj Production and Slovenia’s Staragara.

Among feature films produced in 2019 there are also: Havel directed by Slávek Horák and produced by Tvorba Films in coproduction with the Czech Television; Bohdan Sláma´s Shadow Country / Krajina ve stínu, produced by Luminar film in coproduction with the Czech TV; the children film Martin and the Forest Secret / Mazel a tajemství lesa directed by Petr Oukropec and produced by Czech BFilms in coproduction with Poland’s Wajda Studio and Germany‘s Leitwolf Filmproduktion; The Last Race / Poslední závod directed by Tomáš Hodan and produced by Punk Film; the debut feature The Pack / Smečka directed by Tomáš Polenský and produced by Czech 8Heads Productions in coproduction with Latvia’s EgoMedia, Moss &Roy, IS Produkce, Sleepwalker and Magiclab from the Czech Republic; Zátopek directed by David Ondříček and produced by Lucky Man Films; Grand Prix directed by Jan Prušinovský and produced by Offside Men; Bourák directed by Ondřej Trojan and produced by T.H.A.; the Czech/Slovak coproduction Droneman / Modelář directed by Petr Zelenka and produced by Czech 0.7 km films in coproduction with the Czech Television, Hangar Films, Slovakia´s Punkchart Films and Slovenia’s Fabula.

DISTRIBUTION

A total of 62 new domestic feature films and documentaries and four long animated films were theatrically released during 2019, compared to 70 in 2018 (of which two were animated films).

The list of comedies successfully distributed in Czech cinemas in 2019 includes Women on the Run / Ženy v běhu directed by Martin Horský, produced by Infinity Prague, coproduced and released by CinemartThe Last Aristocrat / Poslední aristokratka directed by Jiří Vejdělek, produced by Evolution Films in coproduction with CertiCon, the Czech Television, Hangar Films, Innogy, PubRes, and distributed by Falcon, with 436,952 admissions; and LOVEhunt / LOVEní directed by Karel Janák, produced by Bontonfilm Studios and Love Frame, and distributed by Bontonfilm, with 151,595 admissions.   

The Painted Bird by Václav Marhoul was selected as Czech Republic’s candidate for the 92nd Academy of Motion Picture Arts and Sciences award in the Best International Feature Film category. The film is the first majority Czech coproduction selected for the Charlatan by Agnieszka Hollandmain competition of the Venice Film Festival (2019) in 25 years and it was also selected for the Special Presentations section of the 44th Toronto IFF (5-15 September 2019).

The film was also screened in London, Warsaw, Tokyo and Chicago, where the jury awarded the work of the cinematographer Vladimír Smutný. The film has already been sold to the USA and Canada. International sales are handled by the French company Celluloid Dreams.


EXHIBITION AND BOX OFFICE

The year 2019 was exceptionally successful for Czech cinemas, with total admissions of 18,319,471 and net revenues of 104,060,594 EUR / 2,616,603,639 CZK, with a year-on-year increase of 1,974,988 admissions and 13,826,248 EUR / 347,661,016 CZK.

The average ticket price in 2019 was 5.68 EUR.

There are eight distribution companies in the Czech Republic with a market share of over 1%.

In 2019, Falcon with 35.7% market share replaced CinemArt, which was at the top last year. Its market share in 2019 was 33.7%. Vertical Entertainment (Freeman) ranked third with 13.2%, followed by Bontonfilm with 5% market share.

The most attended film in Czech cinemas was the Czech comedy Women on the Run / Ženy v běhu directed by Martin Horský and distributed by CinemArt, with 1,543,842 admissions and 8,428,122 EUR / 211,925,133 CZK gross.

Women on the Run by Martin HorskýIn 2019 the attendance in multiplexes, counting 247 screens and 42,735 seats, reached a market share of 62.5%. The largest multiplex cinema operators are Cinema City and Cine Star.

GRANTS AND NEW LEGISLATION

The main tool for public support of Czech cinema is the Czech Film Fund. The funding is granted in 10 areas: development, production, distribution, technological development, promotion, publications, education and training, protection, preservation and access to film heritage, festivals and film events and protection of rights to cinematographic works.

The Fund, through its division, the Czech Film Center, represents and promotes Czech cinema and film industry and increases the awareness of Czech film worldwide. It also supports the activities of film offices in the Czech Republic through its division Czech Film Commission, helping Czech and foreign filmmakers to shoot in various regions of the country.

In 2019, the Czech Film Fund issued a total of 29 calls for domestic grants with a total funding of 14,098,809 EUR / 340.5 m CZK, of which 11,169,693 EUR / 267.5 m CZK was earmarked for Czech film development and production of all film genres, including minority coproductions.

Among the important feature films supported in 2019 there are: Brothers / Bratři directed by Tomáš Mašín and produced by FilmBrigade, with 576,923 EUR / 15 m CZK; Nightsiren / Světlonoc directed by Tereza Nvotová and produced by Moloko Film, with 384,615 EUR / 10 m CZK; Slovo (Czech Republic, Poland, Slovakia) directed by Beata Parkanová and produced by LOVE FRAME and Bontofilm Studios in coproduction with KIJORA Film and DNA production, with 326,923 EUR / 8.5 m CZK; Tancuj Matyldo (Czech Republic, Slovakia) directed by Petr Slavík and produced by Nataša Slavíková in coproduction with Virus Film, with 307,629 EUR / 8 m CZK; People of Blood / Lidi krve directed by Miroslav Bambušek and produced by FreeSaM, with 288,461 EUR / 7.5 m CZK, Nobody Likes Me / Nikdo mě nemá rád directed by Tomáš Weinreb and Petr Kazda, and produced by Black Balance, with 269,230 EUR / 7 m CZK; I Don´t Like You Anymore / Už tě nemám rád directed by Zdeněk Jiráský and produced by i/o post, with 192,307 EUR / 5 m CZK; Hrana zlomu directed by Emil Křižka and produced by Bionaut, with 115,384 EUR / 3 m CZK.

Forman vs. Forman by Helena Třeštíková Jakub HejnaThe Czech Film Fund also administrates production incentives for film and TV productions shooting in the Czech Republic. The incentives are granted in the form of a 20% cash rebate on Czech production costs and 66% on the withholding tax on non-resident labour costs paid in the Czech Republic. The incentives are available for feature, animated and documentary films, TV and animation series, including postproduction. Maximum eligible costs are set at 80% of the total budget, there is no cap on the incentive per project or per applicant. The application can be submitted at any time of the year. The Czech Film Fund is currently trying to increase the rebate to 25%. A total of 50 m EUR / 1.3 billion CZK was allocated in the incentive programme in 2019. For eligibility criteria and application process, check the Czech Film Commission’s website.

The incentives allocated in 2019 include the fantasy series The Wheel of Time (6,231,000 EUR / 162 m CZK) directed by Uta Biesewitz, produced by Sony Pictures and Amazon, and serviced by Partnership Pictures, with 69 shooting days in the Czech Republic in 2019 (shooting will continue in 2020 with 150 shooting days in total); the second season of Carnival Row (9.5 m EUR / 247 m CZK), produced by Amazon with Stillking Features servicing (42 days in 2019, 106 in total); the comedy series Miracle Workers (3 m EUR / 78 m CZK), produced by TBS with Stillking Films servicing (44 shooting days); the drama series Shadowplay (4,307,690 EUR / 112 m CZK), produced by ZDF and serviced by Film United, with 90 shooting days; the family film A Boy Called Christmas (2,961,540 EUR / 77 m CZK), produced by Netflix and serviced by Czech Anglo Productions, with 55 shooting days; the adaptation of the bestseller Wir Kinder vom Bahnhof ZOO (2,076,923 EUR / 54 m CZK), a series produced by Amazon and serviced by Wilma Film, with more than 100 shooting days.

Also benefiting from the rebates in 2019 were: the German series produced by Netflix Tribes of Europa (1,615,385 EUR / 42 m CZK), serviced by Mia Film, with 82 shooting days; the UK family series The Letter for the King (2,153,846 EUR / 56 m CZK) produced by Netflix, serviced by Unit and Sofa, with 70 shooting days; the Austrian series Freud (1,480,769 EUR / 38.5 m CZK) directed by Marvin Kren, produced by Netflix and serviced by Mia Film, with 86 shooting days.

Rebates were also given to a broad range of coproductions such as Shadow of my Eyes (692,308 EUR / 18 m CZK) directed by Ole Bornedal and coproduced by Sirena Film, with more than 30 shooting days in 2019; the coproduction series Atlantic Crossing (1,653,846 EUR / 43 m CZK) directed by Alexander Eik and coproduced by Sirena Film, with almost 100 shooting days; the coproduction series Das Boot 2 (2,557,692 EUR / 66,5 m CZK), produced by Bavaria Fiction in coproduction with Stillking Features, Zatopek by David Ondricek, photo: Lucky Man Filmswith 104 shooting days. Production incentives were also used by AGC Studios for the postproduction of the sci-fi film Voyagers (423,076 EUR / 11 m CZK) directed by Neil Burger. The postproduction was made by U Film.

One of the important supporters of Czech film is Innogy, which coproduced several important new films, including Petr Zelenka´s Droneman and David Ondříček´s Zátopek, and which supports the Karlovy Vary IFF, the Czech Critics´ Awards and the Czech Lions.

The Prague Film Fund supports Czech and international films and TV series shot in Prague, where the city plays itself. In 2019 the fund supported, among others, Charlatan by Agnieszka Holland, Zátopek by David Ondříček and the documentary Mucha: The Story of an Artist Who Created Style directed by David Vávra and produced by Punk Film in coproduction with maximfilm (DE), the Czech Television and ARTE.

TV

The major TV companies in the Czech Republic are NOVA group, the Czech Television and PRIMA group.

The Czech Television currently runs six channels: CT1, CT2, CT24, CT sport, CT:D and CT Art.

NOVA group channels include NOVANOVA 2NOVA CinemaNOVA ActionNOVA Gold, NOVA Sport and NOVA Sport 2.

Prima group consists of Prima FamilyPrima COOLPrima LOVEPrima ZOOM, Prima MAX and Prima Comedy and Prima Crime.Shadows Country by Bohdan Sláma, source: Facebook / Krajina ve stínu

Seznam TV is among the fast growing Internet TVs in the Czech Republic, also producing its own original programmes, including popular internet series.

The TV stations make their programmes also available on the Internet, thus reaching a larger audience. TV NOVA has its video library Voyo.cz, Prima group runs PrimaPlay.cz, while the Czech TV offers its programmes via iVysílání.cz.

The most attended VOD portals in the Czech Republic are Stream.cz, HBO Go and Netflix. Specialised documentary VOD service is provided by DAFilms.cz.

The market for TV advertising is dominated by Nova and Prima (90%), while advertising on the Czech Television is limited to the minimum by the law. The television is traditionally the strongest advertising medium in the country.

Television stations play a large role in the production of quality content for local film and TV productions. The Czech TV is a permanent partner of the Czech cinema, with its in-house production sector Film Center, coproducing increasing numbers of feature films. Czech TV is also a coproducer of almost all documentaries released in Czech cinemas.

Old Timers by Ondřej Provazník and Martin DušekAmong the film projects coproduced by the public Czech Television in 2019 are the already mentioned feature films: Old Timers directed by Ondřej Provazník and Martin Dušek, Prague Orgy directed by Irena Pavlásková, Droneman directed by Petr Zelenka, Shadow Country directed by Bohdan Sláma, People of Blood directed by Miroslav Bambušek, Bourák directed by Ondřej Trojan, Zátopek directed by David Ondříček and Grand Prix directed by Jan Prušinovský.

Among important TV projects produced by the public television in 2019 there are: the Czech/Polish coproduction series Princip slasti directed by Dariusz Jabłoński, the miniseries Jak si nepodělat život directed by Tereza Kopáčová and the TV series Sever directed by Robert Sedláček.

Also in 2019, HBO Europe produced the original Czech series Bez vědomí directed by Ivan Zachariáš.

CONTACTS:

CZECH FILM FUND
Veletržní palác, Dukelských hrdinů 47, 170 00 Prague 7
Phone: +420 224 301 278
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.fondkinematografie.cz

Charlatan by Agnieszka Holland shooting, photo: Marlene Film Production / Alžběta JungrováCZECH FILM FUND - CZECH FILM CENTER
Národní 28, 110 00 Prague 1
Phone: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcenter.cz

CZECH FILM FUND - CZECH FILM COMMISSION
Národní 28, 110 00 Prague 1
Phone: 420 778 543 290
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcommission.cz

NATIONAL FILM ARCHIVE
Malešická 12, 130 00 Prague 3
Phone: +420 778 522 729
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.nfa.cz

APA- AUDIOVISUAL PRODUCERS’ ASSOCIATION
Národní 28, 110 00 Prague 1
Phone: +420 603 844 811
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.asociaceproducentu.cz

CREATIVE EUROPE – MEDIA CZECH REPUBLIC
Národní 28, 110 00 Prague 1
Phone: +420 221 105 209
Fax: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.mediadeskcz.eu

CZECH FILM AND TELEVISION ACADEMY
Karlovo nám 285/19, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.cfta.cz

Daughter by Daria KashcheevaINSTITUTE OF DOCUMENTARY FILM
Štěpánská 611/14, 110 00 Praha 1
Phone: +420 224 214 858
Fax: +420 224 214 858
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.dokweb.net

FITES – CZECH FILM AND TELEVISION UNION
Pod Nuselskými schody 3, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it. 
www.fites.cz

FILM DISTRIBUTORS’ UNION
nám. Winstona Churchilla 2, 130 00 Prague 3
This email address is being protected from spambots. You need JavaScript enabled to view it. , www.ufd.cz 

PRAGUE FILM FUND
Mariánské náměstí 2/2, 110 00 Praha 1
www.praguefilmfund.eu

ASSOCIATION OF CZECH ANIMATION FILM
Heřmanova 3, Prague
http://en.asaf.cz/

Report by Denisa Strbova (2020)
Sources:  the Czech Film Fund, the Czech Film Center, the Czech Film Commission, the Film Distributor´s Union, the Czech Television


MARKET ANALYSIS 2018

Jan Palach by Robert SedláčekCzech cinema enjoyed domestic and international successes of both feature films and documentaries in 2018, with the Czech Film Fund effectively supporting the development and production of numerous quality films (including a strikingly high number of debut features), a growing number of coproductions, returning international film crews shooting on Czech locations and exceptional box office results.

PRODUCTION

Film production in the Czech Republic in 2018 was marked by a growing interest of domestic producers in international coproductions including minority coproductions, which enjoyed a significant support from the Czech Film Fund. The range of coproducing countries is getting wider than before, including – next to traditional partner countries - also new partners from the Netherlands, Finland, Norway, France or the USA.

As far as the topics and genres are concerned, period films seemed to prevail in 2018, both from older and more recent Czech history. Numerous domestic comedies are still being made - traditionally a very successful genre in Czech cinemas, as well as films for children, including long animated films. Together with experienced and renowned directors shooting new films, a strikingly high number of debut features was produced in 2018.

Among the most important and at the same time most expensive titles shooting in 2018 there were: the epic period film Medieval / Jan Žižka by Petr Jákl, a US/Czech/UK coproduction produced by WOG FILM, the war dramaThe Painted Bird / Nabarvené ptáče, directed by Václav Marhoul and produced by Silvescreen, (a coproduction between the Czech Republic, the Ukraine, Slovakia) and The Glass Room / Skleněný pokoj by Julius Ševčík produced by IN Film Praha.

Other titles which were shot in 2018 and which deal with important political topics were The Prague Orgy / Pražské orgie by Irena Pavlásková produced by Prague Movie Company,  the Czech/German coproduction National Street / Národní třída directed by Štěpán Altrichter and produced by Negativ, and On the Roof / Na střeše directed by Jiří Mádl and produced by Dawson Productions.

Important coproductions shot in 2018 are the children film My Grandpa Is an Alien by Drazen Zarkovic and Marina Andree Škop, a coproduction between Croatia, Luxembourg, Norway, the Czech Republic, Slovakia, Slovenia, Bosnia and Herzegovina, produced by Studio Dim, and the Danish/Czech coproduction In Love and War / I Krig & Kærlighed, directed by Kasper Torsting and produced by Fridthjof Film and Film United.

Agnieszka Holland’s new feature film Charlatan / Šarlatán, produced by Marlene Film Production, started shooting for one week in 2018 with the main shooting set for 2019.The Prague Orgy by Irena Pavlásková

There were numerous big and small foreign productions shooting in the Czech Republic in 2018, including the big budget TV series Wiskey Cavalier and the second season of Knightfall, most of them supported by the film incentives programme.

DISTRIBUTION

A total of 70 new domestic features and documentaries were theatrically released during 2018. Numerous important feature films were inspired by events and personalities from the Czech history and literature: the Czech/Slovak drama Jan Palach directed by Robert Sedláček, produced by Cineart TV Prague and distributed by CinemArt (which was nominated for six Czech Critics’ Awards), Toman by Ondřej Trojan, produced by Total HelpArt T.H.A.. (which was released by Falcon in October 2018), the long awaited fairy tale The Magic Quill / Čertí brko directed by Marek Najbrt, produced by Punk Film and distributed by Falcon, and the adaptation of the acclaimed novel Hastrman directed by Ondřej Havelka, produced by První veřejnoprávní, and distributed by CinemArt.

The list of comedies successfully distributed in Czech cinemas in 2018 includes What Men Long For / Po čem muži touží directed by Rudolf  Havlík, produced by Fénix Film in coproduction with Flamesite and distributed by CinemArt, Patrimony / Tátova Volha directed by Jiří Vejdělek, produced by Infinity Prague and distributed by CinemArt, and  Desperate Ladies Act Desperately / Zoufalé ženy dělají zoufalé věcí directed by Filip Renč, produced by Mojo Film and distributed by Bioscop.

EXHIBITION AND BOX OFFICE

The year 2018 was very good for Czech cinemas. The results surpassed even the box office record year 2016. The total admissions reached 16,344, 483, the total box office was 88,595,963 EUR / 2, 268, 942, 623 CZK, compared to 15,233,432 admissions and total box office of 78,814,200 EUR / 2,004,245,131 CZK in 2017.

The average ticket price in 2018 was 5.42 EUR / 138.82 CZK.

My Grandpa is an Alien by Drazen Zarkovic and Marina Andree SkopThere are eight distribution companies in the Czech Republic with a market share of over 1%.

In 2018, CinemArt, the distributor of some major US studios’ productions and also high-profile Czech films, had 40.8% market share and replaced the top distributor of 2017, Falcon, which had 28.1% market share. Vertical Entertainment (Freeman) ranked third with 12.7%, followed by Bontonfilm with 6.2% market share.

The most attended film in Czech cinemas was Bohemian Rhapsody (distributed by CinemArt) with 1,073,638 admissions and 6,466,605 EUR / 165,609,745 CZK gross.

The most attended Czech film in 2018 was the comedy What Men Long For / Po čem muži touží, with 558,988 admissions and 3,226,102 EUR / 82, 620,472 CZK.

In 2018 the market share of multiplexes, counting 256 screens and 44,464 seats, reached 65.88% (attendance). The largest multiplex cinema operators are Cinema City and Cine Star.

GRANTS AND NEW LEGISLATION

The main tool for public support of Czech cinema is the Czech Film Fund. The funding is granted in 10 areas: development, production, distribution, promotion, technological development, publications, education and training, festivals and events, protection, preservation and access to film heritage. The Fund, through its division Czech Film Center, represents and promotes Czech cinema and film industry and increases the awareness of Czech film worldwide. It also supports through its division Czech Film Commission the activities of film offices in the Czech Republic, helping Czech and foreign filmmakers to shoot in various regions of the country.

In 2018, the Czech Film Fund issued a total of 30 calls for domestic grants with a total funding of 14.098,809 EUR / 361 m CZK, of which 11,169,693 EUR / 286 m CZK was earmarked for Czech film development and production of all film genres, including minority coproductionsWhiskey Cavalier ABC series .

Among important feature films supported in 2018 there are: Havel directed by Slávek Horák and produced by TVORBA Films, with 560,603 EUR / 14.5 m CZK, Zátopek directed by David Ondříček and produced by Lucky Men Films, with 579,039 EUR / 15 m CZK, Bourák directed by Ondřej Trojan and produced by Total Help Art T.H.A., with 386,026 EUR / 10 m CZK, Snake Gas / Hadí plyn directed by David Jařab and produced by Cineart TV Prague, with 386,026 EUR / 10 m CZK, Princip Kriegel aneb Muž, který stál v cestě directed by Ivan Fíla and produced by Bio Illusion, with 386,026 EUR / 10 m CZK, Krajina ve stínu directed by Bohdam Sláma and produced by Luminar Film, with 425,285 EUR / 11 m CZK, Admin directed by Olmo Omerzu and produced by endorfilm, with 425,285 EUR / 11 m CZK, Chyby directed by Jan Prušinovský and produced by Offsidemen, with 270,270 EUR / 7 m CZK, and the children and youth film A City Boy and the Forest Secret / Mazel a tajemství lesa directed by Petr Okropec and produced by BFilms, with 289,575 EUR / 7.5 m CZK.

The Czech Film Fund also administrates film incentives for film and TV productions shooting in the Czech Republic. The incentives are granted in the form of a 20% cash rebate on Czech production costs and 66% on the withholding tax on non-resident labour costs paid in the Czech Republic. The incentives are available for feature films, TV and animation series, animated and documentary films. Maximum eligible costs are set at 80% of the total budget. The Czech Film Fund is currently trying to increase the rebate to 25%.

More than 38.9 m EUR / 1 billion CZK were allocated to the incentive programme in 2018.

For eligibility criteria and application process, check the Czech Film Commission’s website.

The amendment to the audiovisual law approved in May 2016 came into effect on 1 January 2017. An improved incentives scheme was introduced, which makes the system more flexible for film productions.

Toman by Ondřej TrojanThe rebates allotted in 2018 include the action series Whiskey Cavalier (8,748, 291 EUR / 224 m CZK) directed by  Peter Atencio, produced by Doozer and Warner Bros. Television and serviced by Stillking Films, with almost 100 shooting days in the Czech Republic; the second season of the historical series Knightfall (5,702,011 EUR / 146 m CZK) directed by Rick Jacobson, produced by A+E Studios, Midnight Radio and The Combine with Stillking Films servicing (90 shooting days); the US/German coproduction Jojo Rabbit (1,390,353 EUR / 35.6 m CZK) directed by Taika Waititi, produced by Fox Searchlight Pictures and serviced by Czech Anglo Productions (40 shooting days); the French biopic Edmond (812,341 EUR / 20.8 m CZK) directed by Alexis Michalik, produced by Légende Films, Ezra, Gaumont (FR), Nexus (BG), Sirena Film, which also serviced in the Czech Republic (41 shooting days); Norwegian Amundsen (523,335 EUR / 13.4 m CZK) directed by Espen Sandberg, produced by Motion Blur (NO), SF Studios (SE) and serviced by Film Kolektiv (22 days), Amazon Studios’ horror series Lore (1,093, 536 EUR / 28 m CZK) by Darnell Martin, Thomas J. Wright, Michael E. Satrazemis and produced by Amazon Studios, Propagate Content, Valhalla Entertainment, serviced by Milk & Honey Pictures.

Also benefiting of the rebates in 2018 were: the German mini-series The Wall (1,132,591 EUR / 29 m CZK) directed by Michael Krumennacher and produced by Gabriela Sperl Produktion, Wiedemann & Berg Television, ZDF Enterprises, with Wilma Film coproducing and servicing; the BBC series World on Fire (2,069, 908 EUR / 53 m CZK); three German TV films for the Der Zurich-Krimi series (488,186 EUR / 12.5 m); the German/Austrian feature film Narziss und Goldmund (585,823 EUR / 15 m CZK) directed by Stefan Ruzowitzky, produced by Tempest Film Produktion Und Verleih, Mythos Film Produktions, Lotus-Film and serviced by Mia Film; the US/UK TV mini-series The Little Drummer Girl (410,076 EUR / 10.5 m CZK) directed by Park Chan-wook, produced by AMC Networks, BBC, Endeavor Content, The Ink Factory and serviced by Sirena Film.

Rebates were also given to large scale Czech coproductions such as Agnieszka Holland’s feature film Charlatan / Šarlatán produced by Marlene Film Production -  429,603 EUR / 11 m CZK, and Glass Room / Skleněný pokoj by Julius Ševčík, produced by InFilm - 468,658 EUR / 12 m CZK.

TV

The main TV companies in the Czech Republic are NOVA group, the Czech Television and PRIMA group.

The Czech Television currently runs six channels: CT1, CT2, CT24, CT sport, CT:D and CT Art.The Magic Quill by Marek Najbrt, photo: Punk Film, Marek Novotný

NOVA group channels include NOVANOVA 2NOVA CinemaNOVA ActionNOVA Gold, NOVA Sport and NOVA Sport 2.

Prima group consists of Prima FamilyPrima COOLPrima LOVEPrima ZOOM,  Prima MAX and Prima Comedy and Prima Crime.

TV stations also increased the number of programmes available on the internet, bringing them to a larger audience. TV NOVA has its video library Voyo.cz, Prima group runs PrimaPlay.cz, while the Czech TV offers its programmes via iVysílání.cz.

Hastrman by Ondřej HavelkaThe market for TV advertising is dominated by Nova and Prima (90%), while advertising on the Czech Television is limited to the minimum by the law. The television is traditionally the strongest advertising medium in the country.

Television stations play a large role in the production of quality content for local film and TV productions. The Czech TV has become a permanent partner of Czech cinema, with its in-house production sector Film Center coproducing increasing numbers of feature films. Czech TV is also a coproducer of almost all documentaries released in Czech cinemas.

Among TV projects produced by the public television in 2018 there are: the Czech historical TV miniseries Rašín directed by Jiří Svoboda, A Pilot Tale / Balada o pilotovi by Jan Sebechlebský and the film for children Magician Zito / Kouzelník Žito by Zdeněk Zelenka. Important miniseries dealing with the Czech history are also Jan Hrebejk´s Redl and the 8-part series Lynč directed by Klára Jůzová, Jan Bártek and Harold Apter. The Czech TV coproduced many important feature films including The Magic Quill by Marek Najbrt, Winter Flies by Olmo Omerzu, On the Roof by Jiří Mádl and Toman by Ondřej Trojan.

CONTACTS:

CZECH FILM FUND
Veletržní palác, Dukelských hrdinů 47, 170 00 Prague 7
Phone: +420 224 301 278
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.fondkinematografie.cz

CZECH FILM FUND - CZECH FILM CENTER
Národní 28, 110 00 Prague 1
Phone: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcenter.cz

CZECH FILM FUND - CZECH FILM COMMISSION
Národní 28, 110 00 Prague 1
Phone: 420 778 543 290
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcommission.cz

NATIONAL FILM ARCHIVE
Malešická 12, 130 00 Prague 3
Phone: +420 778 522 729
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.nfa.cz

APA- AUDIOVISUAL PRODUCERS’ ASSOCIATION
Národní 28, 110 00 Prague 1
Phone: +420 603 844 811
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.asociaceproducentu.cz

CREATIVE EUROPE – MEDIA CZECH REPUBLIC
Národní 28, 110 00 Prague 1
Phone: +420 221 105 209
Fax: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.mediadeskcz.eu

Desperate Women Do Desperate Things by Filip RenčCZECH FILM AND TELEVISION ACADEMY
Karlovo nám 285/19, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.cfta.cz

INSTITUTE OF DOCUMENTARY FILM
Štěpánská 611/14, 110 00 Praha 1
Phone: +420 224 214 858
Fax: +420 224 214 858
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.dokweb.net

FITES – CZECH FILM AND TELEVISION UNION
Pod Nuselskými schody 3, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it. 
www.fites.cz

FILM DISTRIBUTORS’ UNION
nám. Winstona Churchilla 2, 130 00 Prague 3
This email address is being protected from spambots. You need JavaScript enabled to view it. , www.ufd.cz 

PRAGUE FILM FUND
Mariánské náměstí 2/2, 110 00 Praha 1
www.praguefilmfund.eu

ASSOCIATION OF CZECH ANIMATION FILM
Heřmanova 3, Prague
http://en.asaf.cz/

Report by Denisa Strbova (2019)
Sources:  the Czech Film Fund, the Czech Film Center, the Czech Film Commission, the Film Distributor´s Union


 MARKET ANALYSIS 2017

Toman by Ondřej TrojanCzech cinema had a good year in 2017, with international success of both feature films and documentaries, a film fund effectively supporting the development and production of numerous quality films, a growing number of coproductions, returning international film crews shooting on Czech locations and excellent box office results.

PRODUCTION

Among the most important titles shooting in 2017 were several period films, including Painted Bird / Nabarvené ptáče, directed by Václav Marhoul and produced by Silvescreen, Jan Palach, directed by Robert Sedláček and produced by Cineart TV Prague, and Toman by Ondřej Trojan, produced by Total HelpArt T.H.A..

The long awaited fairy tale The Magic Quill / Čertí brko, directed by Marek Najbrt and produced by Punk Film, was shot in the summer of 2017.

The romantic fantasy based on the acclaimed novel Hastrman, directed by Ondřej Havelka and produced by První veřejnoprávní,, was shot from July to September 2017.

The comedies filmed in 2017 included Dad´s Volha, directed by Jiří Vejdělek and produced by Infinity Prague, and Desperate Women Do Desperate Things / Zoufalé ženy dělají zoufalé věcí directed by Filip Renč and produced by U.F.O. Pictures..

The Magic Quill by Marek Najbrt, photo: Punk Film, Marek NovotnýThere were also numerous foreign productions shooting in the Czech Republic in 2017. Unique Czech locations, the experience and expertise of the Barrandov Studio, which hosts one of the largest costumes and props rental houses in Europe, are constantly attracting big and small productions.

The year 2017 saw a boom of German TV productions shooting on Czech locations. According to Helena Bezděk Fraňková, the Director of the Czech Film Fund, 14 television films and series spent over 33 m EUR / 850 m CZK in nearly 400 filming days in the Czech Republic. “German television productions have in recent years been our most loyal ‘clients’ and Germany clearly surpasses other countries in terms of the number of foreign projects shooting here”, Helena Bezděk Fraňková said.

The eight-part series Das Boot, directed by Andreas Prochaska and produced by Bavaria Fiction, is the biggest German production shot in the Czech Republic since the introduction of incentives in 2010. Stillking Films provided services. Out of the total budget of 25 m EUR, about 14 m EUR were spent at the Barrandov Studio. 

Der Prag Krimi, photo: Schivago FilmOther German productions shot in the Czech Republic in 2017 were: Der Prag-Krimi, directed by Nicolai Rohde and produced by Schiwago Film GmbH, the Charité series, directed by Anno Saul, produced by UFA Fiction for ARD and serviced by Mia Film, and the two-part thriller Walpurgis Night, directed by Hans Steinbichler, produced by Wiedemann & Berg Television GmbH & Co. KG for ZDF and serviced by Czech Wilma Film.

Other important international productions shot in the Czech Republic in 2017 were: the first season of the Genius series, directed by Ron Howard and produced by Fox 21 Television Studios, Imagine Television, OddLot Entertainment and EUE/Sokolow for the National Geographic channel and with Stillking Films providing services; the postwar drama The Aftermath, directed by James Kent and produced by Fox Searchlight Pictures and Scott Free Productions with Sirena Film servicing; Xavier Dolan’s Death and Life of John F. Donovan, produced by Lyla Films and Sons of Manual and serviced by Film United;; Ben Levin’s The Catcher Was a Spy, produced by PalmStar Media, Animus Films, Serena Films, in association with Windy Hill Pictures, with Czech-Anglo Productions servicing, and the two-part film Maria Theresa directed by Robert Dornheim and produced by Maya Production, MR-Film Gruppe (A) and BETA Film GmbH (A).   

Hastrman by Ondřej HavelkaDISTRIBUTION

A total of 26 domestic feature films, two long animated films and 27 documentaries longer than 60 minutes had their premieres in 2017. Of these, 13 are debuts and 20 are coproductions, including six minority coproductions.

Many important feature films released in 2017 were inspired by events and personalities from the Czech history.

Jan Svěrak´s Barefoot / Po strništi bos, produced by Biograf Jan Svěrák Pictures, became the best attended Czech film in 2017. Jan Svěrák returns to the war childhood of his father, Zdeněk Svěrák, and makes a prequel to another extremely popular film of the Svěráks’ tandem, The Elementary School / Obecná škola (1991, Barrandov Film Studio).

A Prominent Patient /  Masaryk, directed by Julius Ševčík and produced by In Film, premiered in the Berlinale Special section of the 2017 Berlin IFF. This drama, focusing on the controversial figure of the Czech Minister of Foreign Affairs Jan Masaryk in the 40´s, was domestically released by Bioscop in the spring of 2017.

Milada, directed by David Mrnka and produced by Loaded Vision Entertainment, was released by Bohemia M.P. in 2017 and is available in numerous language versions on Netflix, which co-funded its production. The film is based on the tragic story of the politician Milada Horáková, who was unjustly sentenced and executed during Stalin's political processes in the 50s.

Little Crusader by Václav KadrnkaThe medieval road movie Little Crusader / Křižáček, directed by Václav Kadrnka and produced by Sirius Films, won the Crystal Globe for best film at the Karlovy Vary Film Festival 2017.

Ice Mother / Bába z ledu, directed by Bohdan Sláma and coproduced by the Czech company Negativ, Slovakia’s Artileria and France’s Why Not Productions, was voted as the Czech Oscar bid in the Foreign Language Film category in 2017. The film was distributed in the Czech Republic by Falcon.

Among the most interesting documentaries in 2017 were Červená by Olga Sommerová and Miroslav Janek´s Universum Brdečka, both produced by Evolution Films and released in cinemas by Aerofilms.

Minority coproductions also had a successful life at festivals. Czech minority coproduction Spoor / Pokot, directed by Agnieszka Holland and produced by TOR Film Production, was awarded the Alfred Bauer Prize for Artistic Contribution at the Berlin IFF 2017.

Cervena by Olga SommerovaLittle Harbor/ Pátá loď, directed by Iveta Grófová and produced by Silverart and endorfilm, won the Crystal Bear for best film of the Children's Jury in the Generation Kplus section of the 2017 Berlin IFF.

Filthy / Špína, directed by Tereza Nvotová and produced by Bfilm and Moloko Film, premiered at the Rotterdam IFF.

There are seven distribution companies in the Czech Republic with a market share of over 1%.

In 2017, Falcon, the distributor of some major US studios’ productions and also high-profile Czech films, had 32.1 % market share and replaced the last year’s top distributor Cinemart, which had 29, 2% market share. Vertical Entertainment (Freeman) ranked third with 16.8%, followed by Bioscoop/AQS with 11.5% market share.

Dads Volha by Jiří Vejdělek, photo: CinemartEXHIBITION AND BOX OFFICE

The year 2017 was very good for Czech cinemas. Although the results slightly decreased compared with 2016, it was still the second best year in the history of the independent Czech cinema market.

Total admissions were 15,233,432 and total box office was 78,814,200 EUR / 2,004,245,131 CZK, compared to 15,621,923 admissions and 79,081,565 EUR / 2,011,044,198 CZK in 2016.

However, there was a considerable drop of over 10 percent in the admissions to domestic titles, which reached only 20 percent of the total admissions in 2017. 

The most attended Czech film in 2017 was Jan Svěrak´s Barefoot / Po strništi bos with 505,282 admissions and 2.55 m EUR / 64,813,015 CZK gross. The film was distributed by Bioscop.

There were three Czech films in the admissions top ten: Barefoot, the comedy River Rascals / Špunti na vodě directed by Jiří Chlumský, produced by Fresh Lobster in coproduction with Fénix Film, Sibira Pro and Fénix Distribution (distributed by Bioscop), and the 2016´s hit Angel of the Lord 2, directed by Jiří Strach, produced by Marlene Film Production and distributed by Falcon .

Barefoot by Jan SvěrakA total of 284 new releases hit Czech cinemas in 2017, of which 56 were Czech titles.

The average ticket price in 2017 was 5.18 EUR / 131.57 CZK (compared to 5.07 EUR / 128.73 CZK in 2016).

Total admissions top ten is topped by the US animation Despicable me 3 directed by Pierre Coffin and Kyle Balda, with 610,882 admissions and 3.26 m EUR / 82,848,893 CZK gross, followed by Pirates of the Caribbean: Salazar’s Revenge, directed by Joachim Rønning and Espen Sandberg, with 567,665 admissions and 3.25 m EUR / 82, 651,627 CZK gross.

In 2017 the market share of multiplexes, counting 256 screens and 44,464 seats, reached 75.4%. The largest multiplex cinema operators are Cinema City and Cine Star.

Desperate Women Do Desperate Things by Filip RenčGRANTS AND NEW LEGISLATION

The Czech Film Fund remains the main tool for public support of Czech cinema. The funding is granted in 10 areas: development, production, distribution, promotion, technological development, publications, education and training, festivals and events, protection, preservation and access to film heritage. The fund also supports the activities of film offices in the Czech Republic, helping Czech and foreign filmmakers to shoot in various regions of the country.

In 2017, the Czech Film Fund issued a total of 36 calls for domestic grants with the total funding of 14.6 m EUR / 370 m CZK, of which 11.3 m EUR / 287 m CZK (80%) was earmarked for Czech film development and production of all film genres, including minority coproductions.

The most important films supported in 2017 were: My Sunny Maad, directed by Michaela Pavlátová and produced by Negativ and France’s Sacrebleu Productions (744,000 EUR / 19 m CZK); Šarlatán, directed by Agnieszka Holland and produced by Marlene Film Production (509,000 EUR / 13 m CZK); Opravdoví bratři, directed by Petr Nikolaev and produced by Daniel Severa Production (587,544 EUR / 15 m CZK); Kryštof, directed by Zdeněk Jiráský and produced by Fulfilm (528,790 EUR / 13.5 m CZK) and Jan Palach ,directed by Robert Sedláček and produced by Cineart TV Prague (430,865 EUR / 11 m CZK).

Since the introduction of the new law in 2013, the Czech Film Fund has also administered the Czech incentives scheme. The incentives are granted in the form of a 20% cash rebate on Czech production costs and 66% on the withholding tax on non-resident labor costs paid in the Czech Republic. The incentives are available for feature films, TV and animation series, animated and documentary films. Maximum eligible costs are set at 80% of the total budget.

My Sunny Maad by Michaela PavlátováThe pre-condition of eligibility for the incentive is the minimum volume of the Czech cost:

555,000 EUR / 15 m CZK for a feature, animated or TV film (minimum runtime 70 min.)
74,000 EUR / 2 m CZK for a theatrical documentary (minimum runtime 70 min.)
295,000 EUR / 8 m CZK for a TV episode (minimum runtime 30 min.)
147,500 EUR / 1 m CZK for an animated episode (minimum runtime5 min.)

The amendment to the audiovisual law approved in May 2016 came into effect on 1 January 2017. An improved incentives scheme was introduced, which makes the system more flexible for film productions.

The rebate is no longer subject to a yearly cap. Producers can register the project at any time during the year and immediately receive a registration certificate. Upon receiving the registration certificate, the producer can apply for the allocation of the rebate. The timing of the application is important. Within four months after the application is filed, at least 10 shooting days must be completed in the Czech Republic. Rebates are allotted throughout the year, depending on the beginning of production. For animated films, if shooting in the Czech Republic is longer than 10 days, producers are able to receive their grants in two parts: first upon the completion of the shooting in the Czech Republic and the second part after the completion of all Czech production.

Large amounts of incentives were allotted in 2017 to: Carnival Row (10.3 m EUR /  261 m CZK), directed by Paul McGuigan and Anna Foerster, produced by Legendary Television, Ophelia (1.7 m EUR / 42.6 m CZK), directed by Claire McCarthy and produced by Covert Media (US), Bobker / Kruger Films (US) and Forthcoming Films (UK), both with Stillking Films servicing, and the Czech production Jan Palach (294,000 EUR / 7.5 m CZK), directed by Robert Sedláček and produced by Cineart TV Prague.

The National Film Archive handles both domestic and international sales of films made in Czechoslovakia before 1991 and produced by Barrandov and Zlín film studios (both state owned at the time).

The Czech Film Center is in charge of the promotion of Czech films abroad and is the official national representative of Czech cinema and film industry at key film festivals and markets. The Czech Film Commission is the official film office supporting and promoting audiovisual production in the Czech Republic. Both institutions are a part of the Czech Film Fund.

A Prominent Patient by Július ŠevčíkTV

There are three major TV groups in the Czech Republic, reaching a cumulative market share of approximately 80% in the target group of viewers 15+ in 2017: the public TV Czech Television with a market share of 29.26%, NOVA group with 30.26%, Prima group with 20.76% and Barrandov TV with 8.91%.

TV companies are introducing new channels in order to compensate for the declining audience of flagship stations. The Czech Television currently runs six channels: CT1, CT2, CT24, CT sport, CT:D and CT Art.

NOVA group channels include NOVANOVA 2, NOVA CinemaNOVA Action, NOVA Gold, NOVA Sport and NOVA Sport 2.

Prima group consists of Prima FamilyPrima COOLPrima LOVEPrima ZOOM, new Prima MAX and Prima Comedy.

Milada by David Mrnka, photo: www.loadedvision.comTV stations also increased the number of programmes available on the internet, bringing them to a larger audience. TV NOVA has its video library Voyo.cz, Prima group runs PrimaPlay.cz, while the Czech TV offers its programmes via iVysílání.cz.

The market for TV advertising is dominated by Nova and Prima (90%), while advertising on the Czech Television is limited to a minimum by the law. The television is traditionally the strongest advertising medium in the country.

Television stations play a large role in the production of quality content for local film and TV productions. The Czech TV has become a permanent partner of Czech cinema, with its in-house production sector Film Center coproducing many feature films, including the already mentioned high-profile films Barefoot, Little Crusader, Jan Palach or Garden Store. The Czech TV is also a coproducer of almost all documentaries released in the cinemas.

CONTACTS:

CZECH FILM FUND
Veletržní palác, Dukelských hrdinů 47, 170 00 Prague 7
Little Harbor by Iveta GrofovaPhone: +420 224 301 278
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.fondkinematografie.cz

NATIONAL FILM ARCHIVES
Malešická 12, 130 00 Prague 3
Phone: +420 778 522 729
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.nfa.cz

APA- AUDIOVISUAL PRODUCERS’ ASSOCIATION
Národní 28, 110 00 Prague 1
Phone: +420 603 844 811
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.asociaceproducentu.cz

CREATIVE EUROPE – MEDIA CZECH REPUBLIC
Národní 28, 110 00 Prague 1
Phone: +420 221 105 209
Fax: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.mediadeskcz.eu

CZECH FILM AND TELEVISION ACADEMY
Karlovo nám 285/19, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.cfta.cz

CZECH FILM CENTER
Národní 28, 110 00 Prague 1
Phone: +420 221 105 303
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcenter.cz

CZECH FILM COMMISSION
Národní 28, 110 00 Prague 1
Phone: 420 778 543 290
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.filmcommission.cz

Spoor by Agnieszka HollandINSTITUTE OF DOCUMENTARY FILM
Štěpánská 611/14, 110 00 Praha 1
Phone: +420 224 214 858
Fax: +420 224 214 858
This email address is being protected from spambots. You need JavaScript enabled to view it.
www.dokweb.net

FITES – CZECH FILM AND TELEVISION UNION
Pod Nuselskými schody 3, 120 00 Prague 2
This email address is being protected from spambots. You need JavaScript enabled to view it. 
www.fites.cz

FILM DISTRIBUTORS’ UNION
nám. Winstona Churchilla 2, 130 00 Prague 3
This email address is being protected from spambots. You need JavaScript enabled to view it. , www.ufd.cz 

Report by Denisa Strbova (2018)
Sources:  the Czech Film Fund, the Czech Film Center, the Czech Film Commission, the Film Distributor´s Union

 

Fact Box Czech Republic

Population: 10.6 m (2019) 
GDP per capita in USD: 22,850 (2019)
Total admissions: 18.32 m (2019)
Admissions per capita: 1.72 (2019)
Box office: 104 m EUR (2019)
National market share: 26, 5% (2019)
Feature film production: 60 (2019) 
Number of digital screens: 515 (2019)
Average ticket price in EUR: 5.68 (2019)
Annual state support for film industry: 14.1 m EUR (2019)

Source: Population Reference Bureau, World Bank, Czech Film Fund

Animation Industry Profile CZECHIA CLICK HERE


Admissions Top Ten 2019

TITLE COUNTRY OF ORIGIN ADMISSIONS
Women on Run  / Ženy v běhu CZ 1.543,842
Avengers: Endgame US 935,915
Bohemian Rhapsody US 758,076
Frozen 2 US 749,784
How to Train Your Dragon: The Hidden World US/JP 636,162
Joker CA/US 514,642
Poslední aristokratka/The Last Aristocrat US 468,416
Once Upon a Time in...Hollywood US/UK/CN 441,941
The Lion King US 437,361
Spider-Man: Far From Home US 421,922

Check OLFFI for Film Funding opportunities

OlffiLogo315

Interview with Helena Frankova

frankova

Helena Frankova, Director Czech Cinematography Fund
Click HERE to see full interview

Interview with Michal Bregant

bregant

Michal Bregant, Director of the Czech National Film Archives

Click Here to see full interview

Interview with Pavel Strand

Strand315
Pavel Strand, Czech Audiovisual Producers' Association

Read more ...

Interview with Hana Rezkova

Hanka
Hana Rezkova of the Institute of Documentary Film

Read more ...

Interview with Jiri Besser

Jiri Besser - Former Czech Minister of Culture

Read more

Partner links Czech Republic

sfk logo
The Czech Film Fund (Státní fond kinematografie), established 1 January 2013,  is the main tool for public support of cinema in the Czech Republic. The funding is granted in the areas of development, production, distribution, promotion, technological development, publications, education and training, festivals and events, protection, preservation and access to film heritage.The Czech Film Fund is the main sponsor of the Czech section of Film New Europe.

CFC logo

CFC logo

Czech Film Chamber: http://filmovakomora.cz

Czech Film and Television Academy -http://www.cfta.cz/ 

Association of Czech Animation Film (ASAF) - http://en.asaf.cz/

Film and TV Workers Union - http://www.fites.cz/ 

Audiovisual Producers Association (APA) -http://www.asociaceproducentu.cz/ 

Directors and Screenwriters Association (ARAS) -http://www.aras.cz/ 

Film Distributors Union - http://www.ufd.cz/ 

Institute of Documentary Film -http://www.docuinter.net/ 

Czech Ministry of Culture - http://www.mkcr.cz/ 

National Film Archive - http://http://www.nfa.cz/  

Czech Media Desk - http://www.mediadesk.cz/ 

Cinema Exhibitors Association - http://http://www.kinari.cz/

Vachler Art Company: www.vac.cz   

logo Vachler Art  Company