While the 25th anniversary edition of connecting cottbus (8-10 Nov 2023), the East-West co-production market at FilmFestival Cottbus, is still underway, the award winners out of the 13 cocoPITCH and 6 cocoWIP projects were already announced during tonight’s ceremony:
The cocoPITCH Audience Award went to the best pitch presentation of a project in development, voted for by all industry participants. The audience chose EXCAVATORS, presented by director Argyro Nicolaou and producer Constantinos Nikiforou (Caretta Films, Cyprus), who receive a cash prize of €1,500.
This year’s cocoPITCH jury was comprised of Laurin Dietrich (WOLF Consultants), Paul Thiltges (Paul Thiltges Distributions) and Olena Yershova (Tato Film), who deliberated on three awards:
The Avanpost Pitch Packaging Award was handed out to EXCAVATORS, presented by director Argyro Nicolaou and producer Constantinos Nikiforou (Caretta Films) from Cyprus. Romanian post-production outfit Avanpost will provide the project with in-kind services up to €15,000, which may include strategy consulting, the project look-book as well as production/post-production for a proof of concept. The jury decided “to give the award to a team who touched us with a personal, strong pitch that at the same time made clear how relevant and universal their film will be. A story of intergenerational trauma and how to find your own position to tell it.”
The Croatian Audiovisual Centre presented the HAVC Project Development Award, a €5,000 cash award towards the further development of one project. It went to MY WORLD UPSIDE DOWN by director/producer Daniel Rihák and producer Martina Saková (WHAT IF Films, Slovakia & Projector23, Germany). The jury chose “a project that touched us with its courageous handling of a delicate topic, in a humorous and engaging pitch and teaser. We are convinced that this well-defined story with its heart in the right place will emotionally connect with audiences.”
The Producers Network Award, consisting of free accreditation to the Producers Network at the Marché du Film in Cannes 2024, went to Victoria Mitreva (Portokal/Garti Films, Bulgaria), the producer of cocoPITCH project RESONANCE, directed by Yordan Petkov. The jury stated: “A Western with an East European sensibility, this project convinced us with a subtle and visually beautiful exploration of life in the tension between community and staying true to your own convictions.”
The MIDPOINT Consulting Award went to three cocoPITCH projects, each receiving an in-depth script consultancy. The winners, announced by MIDPOINT‘s programme coordinator Soňa Morgenthalová, are AT YOUR SERVICE (presented by director German Golub & producer Evelin Penttilä/Stellar Film, Estonia), PYRRHIC (presented by director Cosmin Nicolae & producer Dana Boghean-Melconian/Icon Production, Romania) and TACTILE UNIVERSE (presented by director Szilárd Bernáth & producer András Muhi/Focus Fox, Hungary).
The 2023 cocoWIP jury was comprised of Kathrin Kohlstedde (FilmFest Hamburg), Lorena Morín (MECAS Market/Splitscreen), Lukáš Moudrý (Studio Beep) as well as Waheed Zamani and Robert Wunsch of D-Facto Motion. They deliberated on two awards:
Sponsored by German post-production studio D-Facto Motion, the D-Facto Motion WIP Award of €35,000 in-kind services plus €5,000 for additional expenses went to the work in progress BORDERWALL, presented by director Ignas Jonynas and producer Ruta Adelė Jekentaitė (Baltic Productions, Lithuania).
BORDERWALL also received the Studio Beep Sound Post-Production Award, consisting of €6.000 in-kind services sponsored by the high-end studios based in the centre of Prague. The jury “are happy to award one movie with powerful cinematography, a mysterious character and a cage of birds. A gripping story that intrigued us in such way that we want to see it finished immediately.”
Congratulations to all the winners!
The 8th European Arthouse Cinema Day: The world's largest celebration of cinemas and European film culture starts on 12 November 2023!
Press releases 10-11-2023The European Arthouse Cinema Day (EACD) is the worldwide day of action for arthouse cinemas around the globe. Over 600 venues in almost 40 countries (spanning from Europe to South Korea and Mexico) will celebrate cinemas and European filmmaking creating the largest international platform of its kind to showcase their unique contributions to cultural diversity.
For the 8th time, participating cinemas across the world are inviting their audiences to experience the vibrant cultural force of cinema. This one-day global event, spearheaded by the International Confederation of Arthouse Cinemas (CICAE), features a host of special events and screenings. They include premieres, previews, Q&As with filmmakers, actors and special guests as well as tailored programmes and special screenings for children and young audiences. Last year, around 60,000 viewers attended over 250 films during EACD events alone.
İlker Çatak, Isabel Coixet, and Matteo Garrone are the ambassadors of this year's European Arthouse Cinema Day.
EACD ambassador İlker Çatak: “Great films teach us to look beyond ourselves. They open windows onto a new world of different stories and perspectives. Cinemas are the classrooms in which we get to glimpse a myriad of different emotions and experiences. Join us for European Arthouse Cinema Day to celebrate diverse film and cinema culture and the theatres that give them a home”.
Among the centralised EACD events organised by the CICAE and its national member associations is the Swedish premiere of Ilker Çatak's THE THEACHERS’ LOUNGE. It will be released at the Stockholm Film Festival and in over 20 Swedish cinemas on European Arthouse Cinema Day. Italian film director Matteo Garrone presents his new film ME CAPTAIN at the Arras Film Festival and a live Q&A will be broadcast in numerous other French and Italian cinemas. In France, the premiere of the film LITTLE GIRL BLUE will take place in several cinemas with a live Q&A with director Mona Achache and actress Marion Cotillard. Moreover, the Spanish film director Isabel Coixet will attend the screening of her new film UN AMOR for a film talk, which will also be broadcast to other Spanish cinemas.
"In cinema, seduction and seduceability are closely related. Accordingly it is crucial to have a cinema that opens up new perspectives, allows us to discover foreign cultures, and questions, time and again, our established standards," says CICAE president Dr. Christian Bräuer. "This is exactly what arthouse cinemas around the world stand for: curated programmes beyond the mainstream that bring cinematic diversity to the Big Screen. They are united by the certainty that cinema is more than ‘just’ a good film and by an unshakeable belief in the transformative power of the seventh art. This spirit is what we want to celebrate on Sunday and we are delighted that 600 cinemas from almost 40 countries and four continents will once again be taking part in the European Arthouse Cinema Day".
The European Arthouse Cinema Day is organised by the CICAE and its member associations and is internationally funded by the Creative Europe MEDIA programme of the European Union, Eurimages, the German Federal Film Board and Europa Cinemas. It partners with the Month of European Film (1 November – 9 December 2023) and the LUX Audience Award.
For more information visit www.artcinemaday.org, www.cicae.org or contact This email address is being protected from spambots. You need JavaScript enabled to view it.
Anna Buryachkova wins the main prize for the best film in the feature film competition at the 33rd Cottbus FilmFestival. The Ukrainian-Dutch production FOREVER-FOREVER is awarded the prize of 25,000 EUR. The film provides a rare glimpse into the complex emotional world of coming of age for the post-Soviet "90s kids" in Kyiv. FOREVER-FOREVER convinces the International Festival Jury and wins the main prize "for a captivating coming-of-age story that authentically, poignantly, and in a well-constructed manner depicts the upheavals of the Eastern Bloc in the 90s."
The main prize for the best feature film has been sponsored by the Gesellschaft zur Wahrnehmung von Film- und Fernsehrechten (GWFF) for over two decades.
The Special Award for Best Director, sponsored by Rundfunk Berlin Brandenburg and endowed with 7,500 EUR, goes to Rezo Gigineishvili for PATIENT #1. Using the example of an ailing Soviet political functionary, the film reflects a political system that must keep its symbolic figures artificially alive to survive. The jury staits: "The director creates a complex, multi-layered metaphor of seemingly old times that still feel very true and relevant, while masterfully orchestrating a wonderful ensemble of actors."
Eka Chavleishvili is delighted to receive the prize of 5,000 EUR for an outstanding individual performance. In BLACKBIRD BLACKBIRD BLACKBERRY, she convinces the International Festival Jury, "with the portrayal of an unforgettable character with such power, grandeur and bravery that you simply cannot take your eyes off her."
All three winners receive the coveted glass prize sculpture Lubina in addition to the prize money.
The main prize in the Short Film competition goes to the film IT'S ALL RIGHT by Anton Zhuk. The Belarusian production is an intense coming of age thriller. The Special Prize for Best Director goes to Nikola Stojanović for his film THE GHOSTS YOU DRAW ON MY BACK. The Serbian-Estonian work is an atmospherically dense puzzle about grief and non-chronological memory. The Short Film Jury states: "We were impressed by how much life and energy could be captured in a short film."
DYAD wins the U18 Youth Film competition. The Bulgarian production by Yana Titova is a ruthless schoolyard shocker from Bulgaria where a young girl resorts to drastic measures to get only one thing: her mother's love. The jury states:"The film has a plot that none of us expected, the story captivated and convinced us. A superb film that describes various issues like drug use, dependency, abuse, and generational conflict in a very good way."
The Audience Award of the 33rd FFC goes to the film CLARA by Sabin Dorohoi. A film about a young Romanian woman who leaves her home and her child to earn money in Germany - an exemplary Eastern European biography.
The entries of the long night of the short Lusatians which address the themes of the Sorbian/Wendish people and include the Sorbian language, competed for the prize of 1,500 EUR from the Foundation for the Sorbian People. This year, the film "Ankleidezimmer – Hoblekaŕnje" by Frauke Rahr is awarded. The Sorbian Young Talent Award, endowed with 1,000 EUR, goes to the film "Vom Suchen und Finden – Pytaś a namakaś" by Luka Golinski and Mira Dubian.
"With the thematic and artistic diversity of this year's lineup, the FilmFestival Cottbus has set a counterpoint to the oppressive news from around the world. Eastern European cinema reflects these challenges in a multifaceted way, creating a public space for collective reflection. It provides a place where filmmakers can exchange ideas - many of whom are directly affected by wars or have had to go into exile," says Program Director Bernd Buder, adding, "There were many moving scenes - this immensely important exchange between filmmakers, who often find themselves in existentially threatening situations just like the protagonists of their films, and the opportunities for collective cinematic reflection show how crucial this festival is and how important the medium of film is, even if it cannot solve the problems. But it helps to process and respond to them."
"The significant meaning of this exchange, this opportunity for learning, getting to know each other, and changing perspectives, was reflected to us daily throughout the festival week by our audience," says Managing Director Andreas Stein, adding, "This is surely one of the reasons why attendance numbers at the Cottbus Film Festival continue to develop positively after the pandemic years. We are very satisfied with the 33rd festival edition overall and feel that our important work is equally appreciated by the audience, filmmakers, and our supporters. I would like the festival team. Now we can go into the preparations for the 34th FFC with a lot of momentum and energy, which will take place from November 5 to 10, 2024."
The festival Sunday begins with the fairy tale "MÄRCHEN VON DER ZAUBERFLÖTE" in the Stadthalle. Is followed by the opening film of the festival, "BEI UNS HEISST SIE HANKA," directed by Grit Lemke, shown at 12:00 PM. In total, there are still 30 films to be seen tomorrow. At 5:30 PM, BLACKBIRD BLACKBIRD BLACKBERRY will be shown in the Stadthalle Cottbus, whose lead actress Eka Chavleishvili won the award for an outstanding individual performance. In solidarity with Israel and as a tribute to the Israeli filmmaker Yahav Winner, his short film THE BOY will be shown. Yahav Winner sacrificed his life in a kibbutz near the Gaza Strip to save the lives of his wife and newborn daughter. He was executed by the terrorists with a gunshot to the head. The film also takes place in a kibbutz. The theme: an impending war.
LIST OF ALL WINNERS OF THE 33RD COTTBUS FILM FESTIVAL
Feature Film Competition
Main Prize for Best Film – Forever-Forever (Anna Buryachkova, UA/NL 2023)
The main prize, endowed with 25,000 EUR, is sponsored by the Society for the Perception of Film and Television Rights (GWFF). The International Festival Jury of the 33rd FFC consists of Nana Janelidze, director and screenwriter from Georgia, Avelina Prat, Spanish author and director, and Gregorz Stępniak, the artistic director of the Polish Mastercard OFF CAMERA International Festival of Independent Cinema.
Jury justification: FOREVER-FOREVER impresses the International Festival Jury and wins the main prize, "for a captivating coming-of-age story that authentically, poignantly, and well-constructedly depicts the upheavals of the Eastern Bloc in the 90s."
Special Award for Best Director – PATIENT #1 (Rezo Gigineishvili, GE 2023)
The Special Award for Best Director is sponsored by Rundfunk Berlin-Brandenburg (rbb) and is endowed with 7,500 EUR.
Jury justification: For building a complicated, multi-layered metaphor of seemingly old times that still feel very true and current, and for the masterful direction of a wonderful ensemble of actors. The Best Director Award goes to Rezo Gigineishvili for Patient #1.
Award for an Outstanding Individual Performance – Eka Chavleishvili Blackbird, Blackbird Blackberry (GE/CH 2023)
The Award for an Outstanding Individual Performance is sponsored by Sparkasse Spree-Neiße and is endowed with 5,000 EUR.
Jury justification: The award for the best performance goes to Eka Chavleishvili for shaping an unforgettable character with such power, grandeur, and bravery that you simply cannot take your eyes off her.
Short Film Competition
Main Prize for Best Short Film – It`s alright (Anton Zhuk, BY 2022)
The main prize for the best short film, endowed with 2,500 EUR, is sponsored by Druckzone from Cottbus. The Short Film Jury consists of the Kazakh producer Yuliya Kim, the Development Producer Franziska Gärtner from Berlin, and the Potsdam actor Thomas Drechsel, known from the TV series "Gute Zeiten Schlechte Zeiten."
Jury justification: This film is well-crafted in every way. It shows only a small moment in life, but with so many layers that open a battlefield of the human soul. The Short Film Prize goes to IT'S ALRIGHT.
Special Prize for a Director – THE GHOST YOU DRAW ON MY BACK (Nikola Stojanović RS/EE 2023)
The Special Prize for a Director is sponsored by Tiede+ and is endowed with 1,500 EUR.
Jury justification: We fell in love with the cinematic language, the power of sensuality, and the courage to open the dialogue within it. We were impressed by how much life and energy could be captured in a short film. The Special Prize for Best Director goes to Nikola Stojanović.
Youth Film Competition
Best Youth Film – Dyad (Yana Titova, BG 2023)
The prize for the best youth film is endowed with 5,000 EUR and is sponsored by the City of Cottbus. The jury consists of students from the 12th grade of the Niedersorbisches Gymnasium Cottbus.
Jury justification: "The film has a plot that none of us expected, the story captivated and convinced us. A superb film that describes various issues like drug use, dependency, but also abuse and generational conflict in a very good way," says the jury justification.
DIALOG Prize for Understanding Between Cultures
1,500 EUR sponsored by Rotary Club Cottbus
VASIL (Avelina Prat, ES/BG, 2022)
Jury: Sinta Weisz (actress), Beata Dzianowicz (director), Vlad Petri (director).
Jury justification: The film has the ability to build a bridge between different backgrounds and dreams and gives us the opportunity to learn from each other. Just as dialogue arises through words, this film builds dialogue through silence, visual language, and emotions. The film presents its drama with subtlety and humor. The immigrant in the film had everything needed to be successful as an intellectual: a brilliant mind, a friendly and funny character, but as an outsider, he had to lose. There were many games to win, but not the game of life. We have decided to award this special prize, the Dialogue Prize, to the film VASIL directed by Avelina Prat.
Best Debut Film Prize
3,000 EUR sponsored by Brandenburg Technical University Cottbus-Senftenberg and Film University Babelsberg KONRAD WOLF
HELA (Anna Kasperska, PL 2022)
Jury: Prof. Verena Issel (BTU), Alice Palchetti (HFF), Prof. Christa Petersen (BTU)
Jury justification: A courageous film. A film with strong female characters in a country where feminism has been threatened in recent years. A film that criticizes state and church institutions with its own film language. A protagonist who pursues her own perspective and emancipates herself. The film shows the struggle against a rigid patriarchal system. Even if an ultimate breakout does not seem possible yet, solidarity and sisterhood open up a future perspective - perhaps even for an entire country? The winner of the debut prize is HELA by ANNA KAPSERKA from Poland!
FIPRESCI Prize
of the Féderation Internationale de la Presse Cinématographique
LIBERTATE by Tudor Giurgiu, RO/HU, 2023
Jury: Katrin Hillgruber (DE), Angelo Mitchievici (RO), Giuseppe Sedia (IT)
Jury justification: Gunshots in Sibiu/Hermannstadt in December 1989. Experiencing a revolution on the screen can be uncomfortable and captivating at the same time. The director manages to give shape to the historical chaos by creating a film that goes beyond the aesthetics of the Romanian New Wave. The FIPRESCI Prize goes to Tudor Giurgiu's film "Libertate."
Ecumenical Jury Prize
sponsored by SIGNIS and INTERFILM
BLACKBIRD BLACKBIRD BLACKBERRY (Elene Naveriani, GE/CH 2023)
Jury: Brigitta Rotach (CH), Beáta Kézdi (HU)
Jury justification: In poetic imagery and rich colors, the film tells the story of a strong, independent woman in the middle of her life. The way Ethero calmly finds her own happiness, the bodies that do not conform to external beauty standards, and the unexpected turn of events encourage staying true to oneself, away from conventions. For this reason, we award the Ecumenical Jury Prize to the Georgian feature film "Blackbird Blackbird Blackberry."
Long Night of the Short Lusatians
Prize of the Foundation for the Sorbian People, endowed with 1,500 EUR
"Ankleidezimmer – Hoblekaŕnje" Frauke Rahr (DE 2022)
Sorbian Young Talent Award of the Foundation for the Sorbian People, endowed with 1,000 EUR
"Vom Suchen und Finden – Pytaś a namakaś" (Luka Golinski, Mira Dubian, DE 2023)
Audience Award
3,000 EUR sponsored by Lausitzer Rundschau
CLARA (Sabin Dorohoi, RO/DE 2023)
Jury: Audience of the Cottbus Film Festival
"Cottbus to Cinema" Award - to promote the distribution of a festival film
10,000 EUR sponsored by Medienboard Berlin-Brandenburg
BLACKBIRD BLACKBIRD BLACKBERRY (Elene Naveriani, GE/CH 2023)
MIOB in Shorts Award, endowed with 1,000 EUR
"Primal Therapy" (Santtu Salminen, FI 2022) Nomination of the FilmFestival Cottbus.
The FilmFestival Cottbus is largely supported by the Medienboard Berlin-Brandenburg and the City of Cottbus as well as the Media Programme of the European Union.
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The 10th anniversary edition of the RIGA IFF spotlights expanding industry programme
Festivals 26-10-2023The Riga International Film Festival's annual industry programme RIGA IFF FORUM took place from 19 to 21 October in various venues in Latvia’s capital. The programme included a co-financing platform for feature films and series projects from the Eastern and Central European region as well as in-depth feedback sessions for short film projects from the Baltics and Norway. The primary mission of RIGA IFF FORUM is to pave the way for new voices in the Baltic and Eastern European cinematic landscape. The festival's industry programme featured altogether 26 projects from both emerging and established filmmakers.
During the RIGA IFF SHOWCASE – market for upcoming feature films and series from Eastern and Central Europe as well as Caucasus – a jury of international professionals evaluated 15 feature film and series projects in various development stages and determined the best project. The winner was awarded a cash prize of 5000 EUR provided by the festival's main partner Tet, one of the largest IT innovations and media companies in the Baltics. The jury – Inga Alika-Stroda, Lukas Trimonis, Katrin Kissa, Ahbra Perry and Lenka Tyrpáková – chose Europa as the winner. Produced by Radovan Síbrt (Pink Productions), Europa marks the first steps in narrative cinema by a seasoned Czech documentary filmmaker Jan Gebert.
The longest running and the most renowned section of the RIGA IFF FORUM – in depth feedback sessions for short film projects – SHORT RIGA Test Screenings took place for the eighth consecutive year. Experiencing an ever increasing interest from both well-known and upcoming filmmakers, SHORT RIGA Test Screenings featured 11 projects, chosen by Laurence Raymond, an internationally avowed curator, with previous experience in festivals such as Directors’ Fortnight short film programme at the Cannes Film Festival and the Québec City Film Festival. The international jury – Catherine Colas, Pascale Faure, Marie-Pauline Mollaret, Sydney Neter and Armands Začs – awarded a prize of post-production services worth 5000 EUR by BB Posthouse to Estonian animator Martinus Klemet’s short film Yummy, produced by Aurelia Aasa, AAA Creative, whilst the special mention went to Freeride by Edmunds Jansons, produced by Sabīne Andersone, Atom Art.
In addition, this year RIGA IFF hosted the yearly EFA Short Film Network meeting, which gathered film festival representatives from all Europe. For the first time at RIGA IFF filmmakers were invited to MEET THE FESTIVALS in order to gain knowledge of what different festivals are looking for. Semaine de la Critique, International Film Festival Rotterdam, Fantoche International Animation Film festival were only some of the participants. All of the events mentioned above, were attended by a record number of people, rising the bar for the next festival editions.
The festival also welcomed professionals from the leading European funding bodies and broadcasters, such as Eurimages, ZDF and YLE respectively, during the panel cycle Stories that Cross Borders – Shaping of European Series Co-production. The festival was chosen as the host for these talks by the Council of Europe and the Ministry of Culture of the Republic of Latvia addressing the production environment and funding opportunities of the series in context of the newly launched Pilot Programme for Series Co-Production by the Council of Europe.
Continuing the cooperation with Baltic Women in Film Mentorship program, the festival offered an opportunity for all interested festival attendees to take part in a lecture by Irma Pužauskaitė on the role of intimacy coordinators of film sets, which took place in a full house.
RIGA IFF’s main partner is the media and technology company Tet. The festival is supported by the State Culture Capital Foundation, the EU programme Creative Europe MEDIA, Riga City Council, the National Film Centre, BB Posthouse and CE MEDIA Desk Latvia.
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Arthouse Cinema Awards at Sarajevo Film Festival, CineFest Miskolc, Filmfest Hamburg and Loft Film Fest
Press releases 30-10-2023Four new winners have been added to the list of Arthouse Cinema Awards 2023, chosen these last months by the CICAE juries at the Sarajevo Film Festival, the CineFest Miskolc, the Filmfest Hamburg and Loft Film Fest.
The juries met to view the films in the main competitions and awarded the arthouse cinema prizes to what they considered to be outstanding arthouse films, deserving of increased visibility and wide distribution.
The jury for the 29th edition of the Sarajevo Film Festival awarded Tudor Giurgiu's "Libertate".
At the 29th Sarajevo Film Festival, Gregor Janežić (Cerknica Cultural Centre, Cerknica, Slovenia), John Sarkanjac (film director, Skopje, North Macedonia), and Ula Śniegowska (New Horizons, Wrocław, Poland) awarded LIBERTATE by Tudor Giurgiu, about the Romanian revolution in December 1989.
You can read about the jury’s statement here.
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At the 68th SEMINCI - Valladolid International Film Week - which also marked the first year of collaboration between the CICAE and the festival - the film Femme by Sam H. Freeman and Ng Choon Ping received the Arthouse Cinema Award by the CICAE jury. Also, Ali Ahmadzaheh's film CRITICAL ZONE received a special mention from the jury.
The jury, composed of Pedro Barbadillo (CineCiutat, Palma de Mallorca, Spain), Martin Castillo (Centro Arte Alameda, Santiago, Chile) and Céline Pain (Cinéma Le Drakkar, Dives-sur-Mer, France), stated as following about FEMME:
"In a labyrinth of ambiguities, in which violence and seduction, revenge and redemption converge, certainty becomes a misstep in the quicksand of sex and love. Although we believe we live in a better and freer world, this film reminds us that forgetting the rights we have won, even for a second, leads us to risk of losing those developments in the blink of an eye."
Femme
United Kingdom, 2023, 99 minutes
Jules’ life and career as a drag queen are destroyed by a brutal homophobic attack. But when some time later, in a gay sauna, he meets by chance his attacker, Preston, who keeps his sexual orientation hidden, Jules finds his opportunity for revenge. Unrecognisable without his wig and make-up, Jules infiltrates into Preston’s life and, in doing so, starts up a dangerous seduction.
Long statement:
In their debut feature, a thriller developed from a short film of the same title, directors Sam H Freeman and Ng Choon Ping immerse us in a rabidly current time and space, in the slippery universe of gender identities.
In London right now, on the front line of the transformations and resistances that identities experience, this story takes place that transgresses and overflows gender roles, in its lights and shadows. Clothing, often treated superficially in the world of cinema, in this case is transformed into a powerful narrative artifact, playing with stereotypes and their nuances, exploring their deepest meanings, posing a dichotomy between what we want to show and what that we want to hide.
The outstanding performance of the protagonists, Nathan Stewart-Jarrett and George MacKay, without giving away so much information about their past lives, leads us to imagine what they were before and what they will be after.
In a terrain of ambiguities, where violence and seduction, revenge and redemption converge, certainty becomes a false step in the quicksands of love.
Understanding the dangerous game of social networks, and absorbing images that range from music videos to video games, the film is an x-ray of our ephemeral present where everything is in constant change and movement.
Machismo, fear, ignorance and homophobia are still there as a latent danger, and even if we believe that we live in a better world, if we forget, even for a second, the rights that we have achieved, we run the risk of losing those advances in a blink of an eye.
Credits & Casting
Directed by: Sam H. Freeman, Ng Choon Ping
Written by: Sam H. Freeman, Ng Choon Ping
Cinematography: James Rhodes
Editing: Selina Macarthur
Music: Adam Janota Bzowski
Cast: George MacKay, Nathan Stewart-Jarrett
Production:
International Sales:
The Arthouse Cinema Award
The CICAE Arthouse Cinema Award was conceived as an impetus for a film to have a wider recognition as a work of art and to stand as a mark of quality for cinema-goers and cinephiles.
Would you like to know what independent cinemas around the world are up to? Do you need inspiration for your program, marketing, or management? Do you have a great idea you want to share with your community? The Arthouse Cinema Hub (www.arthousecinemahub.com) is the place to learn, connect, and share your ideas about programming, marketing, business, audience development and cinema space with the arthouse cinema industry worldwide.
The hub will provide:
- Best practices for cinemas
- An overview of initiatives, projects and networks worldwide
- A chance to connect and contribute your own experiences, insights, and ideas
Discover ideas to celebrate the European Arthouse Cinema Day
With the upcoming European Arthouse Cinema Day, the Arthouse Cinema Hub has gathered best practices to support the over 600 participating cinemas in all matters concerning communication and creating a great event to celebrate European film and movie theatres on November 12th.
Join the Hub, Share your ideas
You have a great idea, intiative, or project to share with the arthouse world? We would love to hear from you!
- Write us an This email address is being protected from spambots. You need JavaScript enabled to view it. with your name, occupation, country, short bio and your idea.
- Your idea does not have to be fully edited already, simply let us know about the content you would like to share.
- We will contact you immediately with a blueprint and you can start writing.
- Of course, our team of editors will support you during the process.*
- Time to publish!
*You can always choose to write in your preferred language and we will translate for you.
Share your local actions:
We are especially looking forward to share your local actions planned for the European Arthouse Cinema Day. Please share your insights to inspire other cinemas and document the celebrations via photo and social media tagging the http://instagram.com/artcinemaday/tagged/" href="http://%20http//instagram.com/artcinemaday/tagged/" target="_blank" rel="nofollow">@artcinemaday and @cicaeartcinema channels.
About the Arthouse Cinema Hub
Initiated by the CICAE, the Arthouse Cinema Hub will become the central resource and home for arthouse cinema's best practices. It serves to showcase the exceptional contributions arthouse cinemas are making around the world. Here, you can find and share initiatives, projects, experiences and ideas and find inspiration for your own work.
The Arthouse Cinema Hub is an initiative by the CICAE, developed in cooperation with the European Arthouse Cinema Day. The hub is funded by the European Union’s Creative Europe MEDIA programme.