Polish director Robert Gliński has spent 35 years making films about socio-political themes in Poland and Germany (Nazi occupation, the collapse of communism, and working-class problems under capitalism), many of which were period pieces or coming-of-age dramas. In 2014, Gliński succeeded to merge his two approaches in adapting Stones for the Rampart, Aleksander Kamiński’s well-known novel about a group of scouts during the Nazi occupation of Warsaw. With his latest film, Be Prepared, the director once again tells a coming of age story, this time focusing on the rise of nationalism.
Gliński’s twelfth feature tells us a story about a group of present-day Polish boy scouts spending their summer camping in a local forest, learning the basic skills of surviving in nature, responsibility, friendship and also about important figures in Polish history. Every year, the camp also welcomes new recruits from less wealthy families outside of Poland: for the latest edition, they end up getting a group of young Nazi hooligans from Ukraine. The peaceful camp suddenly becomes torture for its more virtuous residents, when Polish scout Tomek (Maciej Musialowski) dies under suspicious circumstances. As one of only three people who know of Tomek’s death, senior scout Jacek (Mateusz Wieclawek) must investigate the murder on his own.
Gliński has made a teenage horror-cum-mystery movie with a deeper message, but his good intent has gone wrong in every possible way. Be Prepared combines hand-held footage in black-and-white, as if shot by the scouts themselves, with a more conventional storytelling perspective. The found footage scenes try to get us closer to the characters, bringing horror vibes into the movie. In their imitation of such footage (irrational, shaky camera), these scenes are more irritating than useful in any way.
But the in-film amateur footage is not the only thing that is black and white. Be Prepared is filled with characters that are either good or bad, which in the end doesn't really matter because they are all built on a bunch of stereotypes. Focusing on senior scout Jacek who desperately wants to be authority in the camp, other characters are ignored. Piotr (Michal Wlodarczyk), leader of the hooligans in the camp, appears to be malevolent just for the sake of it, so we never actually get any deeper psychological insight as to what is happening within him. The camp leader is there only to tell scouts (and us, the viewers) the camp rules and there is also a young on-site nurse, Ewa (Magdalena Wieczorek), who serves more as a sexual object than a fully developed character. Other scouts and other hooligans (and some illegal fishermen who are also around) pop up from time to time just to remind us why Jacek, Ewa and Piotr are in the forest.
Maybe the biggest disappointment in the film is the revelation of who killed Tomek (and others, at later points), mostly because the murderer doesn't really get much screen time. The killer is a secondary character that has no real motivation for his deeds, but that doesn't make any difference for Gliński because the whole film is just a stage to say a few thoughts about the rise of right wing politics in the world. Be Prepared takes 90 minutes to express, through dialogue in its final moments, a thought that our biggest enemies don't come from the outside, but rather from within.
FIPRESCI Young Critics Warsaw Project
Lemana Filandra is a writer and editor at "Klifhenger" (www.klifhenger.com), a site dedicated to movie analyses in Bosnian and English. She has been working as a freelance writer, a researcher, and a translator for the last three years. Currently, She is working on a PhD thesis in philosophy, focused on intersectional feminism and political implications of the concept of body. In the past she had different professional engagements at Sarajevo Film Festival, one of the most prominent European festivals. She also worked as a producer of a music video, a script supervisor and an assistant to a movie director.
Levan Tskhovrebadze is a student of film studies in Ilia State University, Georgia. He has written and made other kind of journalistic content for Georgian outlets like Indigo, Cinemania.ge or Demo.ge. Recently he started working for Ilia State University online publication Cinexpress.iliauni.edu.ge where he writes reviews, articles and also translates some of the important articles or interviews about cinema into Georgian. He has covered few festivals as a film critic. He was doing video blogs for Berlin International Film Festival 2019th edition and has made some content at CinéDOC-Tbilisi and Batumi International Art-House Film Festival. Cinexpress is also the Ilia State University’s Film Club where he made public reports before screenings.
Oleksandra Povoroznyk is a film critic and journalist based in Kyiv, Ukraine. She is currently working for Vertigo.com.ua, one of the largest Ukrainian websites devoted to the film industry and entertainment in general. She is also the host of two podcasts about movies and TV.
Denisa Jašová is a PhD student of Audiovisual Studies at Academy of Performing Arts in Bratislava. As a Film Studies and Archival Science graduate, she specializes on archival research in film and TV history, especially on Czechoslovak amateur film and TV non-fiction programmes from 70s and 80s. She also works as a researcher for TV documentaries, as a librarian in the Central European House of Photography and as a talk show host in student radio talk show called Cinefil. She frequently writes for magazine Film.sk, IFF Cinematik Piešťany and her first paper about the history of Slovak amateur film will be released in October 2019 in Kino-Ikon magazine. She simply loves film archives.
Bogdan Balla is a Romanian experimental film director and freelance film critic based in Bucharest. He studies film directing at the National University of Theatre and Film and writes for FILM MENU. Besides directing and producing his own films, he also works as an independent freelance film critic. He reads bell hooks and is passionate about queer cinema. He has a preference for working with archival footage for his films.
Svetlana Semenchuk is an author of such publications on cinema as “Seanse”, “The Art of Cinema”, “Cinema TV” and other. The author-composer of the books “S. M. Eisenstein: pro et contra: Sergey Eisenstein in national reflection: anthology” and “E. F. Bauer: pro et contra. Eugene Frantsevich Bauer in assessments of contemporaries, colleagues, researchers, film critics. Anthology”. Teacher of the St. Petersburg New Cinema School, and at the St. Petersburg State University of Cinema and Television.
TUTORS of FIPRESCI Young Critics Warsaw Project
Amber Wilkinson is a journalist with more than 20 years experience. She is the co-founder and editorial director of UK-based website Eye For Film. Her byline has appeared in The Times, Daily Telegraph, Sydney Morning Herald and Filmmaker Magazine among others. She also contributes as a freelance film critic on BBC Radio Scotland. She has run several FIPRESCI young critics' workshops and mentored student critics at the Edinburgh International Film Festival in 2018 and 2019.
Tommaso Tocci is based in Italy, where he works as a film critic and translator covering film festivals across Europe for international publications. He has also worked for Berlinale Talents and for the Edinburgh International Film Festival, and he currently serves as Co-Programmer for the Saas-Fee Film Festival in Switzerland.