BRUSSELS: A group of 90 organisations from Europe’s cultural and creative sectors have signed an open letter in support of the 2021-2027 proposal for the Creative Europe Programme.
Twelve East Silver Films will be promoted at IDFA.
submission deadlineJanuary 29th 2020
Apply for six months of intensive editing and development of your documentary film aiming for premiere by early autumn 2020: / work with more than 30 world-class editors, producers and distributors throughout the postproduction period / sharpen the storytelling and maximize your film’s international potential / get personal feedback on your cut from key festival representatives, sales agents and other decision makers / prepare a tailor-made marketing and distribution strategy to unfold your film to a wider audience
The whole team, composed of a director, a producer and an editor, participates in three one-week residential sessions (the exact dates will be confirmed): / 1st session (6 days) – rough cutlate April – Slovakia / 2nd session (6 days) – fine cut late June – Czech Republic / 3rd session (8 days) – near picture lock mid-September – Sweden
Apply HERE with your rough cut Early bird submission (until January 9th 2020) is FREE OF CHARGE!
For the second time, Europa Distribution will be at the IDFA - International Documentary Film Festival Amsterdam where it will hold a workshop dedicated to the distribution of documentaries. From November 24th to 26th, around 20 independent distributors, all members of the European network, will participate in an open panel and a closed session of discussion organised in collaboration with IDFA as part of their Industry programme.
On Monday 25th November from 10.00 to 11.30 at the Brakke Grond cultural center, the public panel “SOLO, a one-man-band story and case study” will explore the creation, the production and the distribution of Solo, a documentary on the life and struggle with the mental disease of Martín Perino, an Argentinian pianist. We will be guided through this journey by the producer Petra Oplatkova (Sirena Films, Artcam Films, CZ), who has worked with the director, producer and distributor Artemio Benki to bring this film to life following each single step of the film value chain. The panel will be thus an opportunity to have an in-depth perspective of the life cycle of a film, recognizing the relevance of all the elements that allow a film to exist and circulate. Together with Artemio, Manuela Buono (Slingshot Films, IT), the international sales agent of SOLO, will help us understanding how such a film can be brought to the international audience. The panel discussion will be moderated by Mathias Noschis(Alphapanda, DE).
Europa Distribution members will then hold a closed workshop session on Tuesday 26th November. At this occasion, Julia van Berlo (Cinéart, NL), Jana Trnková(Aerofilms, CZ), Mika Siltala (Cinemamondo, FI), Nille Stormoen (Arthaus, NO), Huub Roelvink (Cherry Pickers, NL), Michael Höfner (Gmfilms, DE), Jennifer Jones (mindjazz pictures, DE), Daan Vermeulen (Cinema Delicatessen, NL) and Kim Foss (Camera Film, DK) will share their experience regarding documentary releases through the analysis of concrete examples and case studies on the following films: Veearts Maaike (NL), Diego Maradona (UK), Becoming Animal (UK, CH), Easy Love (DE), Piazzolla, the Years of the Shark (FR, AG), Amazing Grace (US) and Ask Dr. Ruth (US).
NOTE FOR THE EDITORS: Europa Distribution is the association of independent film distributors, created in 2006. With about 120 leading independent distributors representing 30 countries in Europe and beyond, it serves as the voice of the sector and acts as a network and a think tank. Since its creation, Europa Distribution has accompanied and reinforced the integration and collaboration process between its members through information, brainstorming and training sessions. The network’s aim is to strengthen the existing ties to improve the curation, promotion and distribution of independent films.
PRAGUE: The Czech government approved 500 m CZK / 19.5 m EUR in additional funding for production incentives. The increase brings the total amount of funding in 2019 to 1.3 billion CZK / 51 m EUR.
Strasbourg, 13.11.2019 –The 20th edition of this event which opened on the 3 October 2019 comes to a close today with the awarding of honorary prizes to three Eurimages-supported international co-productions:
The Odyssée-Council of Europe Prize for Human Rights
goes to God Exists, Her Name is Petrunya by Teona Strugar Mitevska, a co-production between North Macedonia, Slovenia, Belgium, Croatia and France, for the director's ability to stage a story with a universal reach. The central figure of this film is a female character who has the will and courage to stand up to the misogyny prevalent in a society weighed down by religious, institutional and media conformity.
The director skillfully integrates a large number of key topics related to the struggle for human rights into a relatively simple plot: in addition to the central theme of gender equality, which is directly linked to freedom of thought, conscience and religion, the film shows the background of doubts and unease when questions of the rights to privacy, to work, to a fair trial and of press freedom are raised. Teona Strugar Mitevska shows how all these struggles are intrinsically linked and how progress on human rights cannot be compartmentalized into different issues but must advance on all fronts simultaneously.
The Odyssée-Council of Europe Prize for Artistic Creation goes to
Cold War by Pawel Pawlikowski, a co-production between Poland, France and the United Kingdom
for its great artistic and aesthetic quality, the remarkable direction of the actors, and its ability to create an attractive universe representing a loving relationship attuned to the torments of history, a relationship whose relevance remains pertinent today.
Lastly, a Special Mention is awarded to the film Tel Aviv on Fire by Sameh Zoabi, a co-production between Luxembourg, France, Israel and Belgium,
for its cinematographic qualities and its ability to speak tactfully and non-judgmentally about a complex, painful and troubling situation. This film focuses on what is likely to bring the protagonists closer to a dramatic situation rather than away from one.
Since it was set up in 1988, EURIMAGES has supported 2 047 co-productions for a total amount of approximately 597 million euros.
WARSAW: The 4th edition of the international script development programme Kids Kino.Lab, formerly known as Kids Film.Pro, has announced its tutors and participants in advance of its first session of 2019/2020, which will begin on 26 November in Poznań, preceding the 37th edition of the International Young Audience Film Festival Ale Kino, which runs 1 – 12 December 2019.
ZAGREB: TV and film content creation is the subject of the first NEM Zagreb convention, which takes place 11 -13 December 2019. Top international TV industry professionals will participate in an intensive line-up of panels, workshops, screenings and a pitching contest.
BLACK NIGHTS KICK-OFF
And we're off! The 23rd Black Nights Film Festival has officially begun.Over 250 films in 4 different cities and 4 competition programs - Official Selection, First Feature Competition, Baltic Film Competition, Rebels with a Cause Competition.
Yesterday's Opening Ceremony kicked off with opening film Adam and the Bruno O’Ya award to a remarkable Estonian actor was awarded to Rea Lest.
Check out all the photos from yesterday's black carpet here.
READ THE FULL STORY
AND THE LIFETIME ACHIEVEMENT AWARD GOES TO....
At the 23rd edition of the Tallinn Black Nights Film Festival, Russian director Andrei Konchalovsky will be presented with one of the festival’s two Lifetime Achievement Awards.The festival will also screen two of his films: the Northern European premiere of his latest film Sin (Il Peccato) and House of Fools (2002).
Andrei Konchalovsky’s career spans over five decades, during which he has directed numerous films and series that have become an undisputed, integral part of film history.
IN FOCUS: SIZZLING ARABIA
Tallinn Black Nights Film Festival’s 23rd edition will see a focus on Arab cinema, as the festival screens 14 films in the specially curated programme In Focus: Sizzling Arabia, showcasing highlights from the last decade.
According to the curator, Intishal Al Timimi, a Black Nights curator who is also the head of the programme of the El Gouna Film Festival in Egypt, the special programme is most likely the largest of its kind ever screened at an international festival in Europe.
The festival opened yesterday with Maryam Touzani’s Adam, that was screened at the Cannes film festival this year.
DISCOVER THE FILMS
Rebels With A Cause is the festival section that showcases independent productions that offer original points of view, polemic opinions or interesting aesthetic pursuits for the demanding audience.
The programme is divided into two competitive programmes – for shorts and features – and a non-competitive selection.
Rebels With A Cause is gradually developing into a section that draws international attention and attracts fresh films from emerging and established creative voices from around the world.
The TV Beats programme will screen eight new series from around the world, three of them world premieres, including an Amazon production and the first Estonian series produced by the Finnish telecommunication company Elisa.
The three series having its world premiere at PÖFF are:
SEE THE FULL LINEUP
We are happy to announce that the PROGRAM of the AUGMENTING PERFORMANCE international conference that will be organized at CINETic UNATC Bucharest (15-17 November 2019) is now available online. (Please keep following our website for updates)
We are delighted to have brought together such a diverse group of professionals – well over 100 guests from 13 different countries and 4 continents (Australia, Austria, Bulgaria, Canada, Denmark, France, Netherlands, Poland, South Africa, Switzerland, Turkey, United Kingdom, and Romania) – a true global community of artists and scientists.
GERHARD WIDMER, PhD, Institute for Computational Perception, Johannes Kepler University Linz (JKU) and Austrian Research Institute for Artificial Intelligence (OFAI), Vienna (AUSTRIA), Con espressione!ELIZABETH JOCHUM, PhD, Associate Professor in the Research Laboratory for Art and Technology (RELATE) at Aalborg University (DENMARK), Rehearsal for the robot revolutionJOE KING, Tutor in the Animation program at the Royal College of Art London (UK), Rock paper scissors. Expanded forms of animation, its use within live stage production and the role of research knowledge exchange within live projectsJORIS WEIJDOM, Researcher and senior lecturer – Media and Performance Laboratory at HKU University of the Arts Utrecht (NETHERLANDS), Designing performative mixed reality experiences and what we can learn from post-dramatic theatreALIN MOLDOVEANU, PhD, Professor and Vice-Dean at University Politehnica of Bucharest (ROMANIA) Sound of vision – augmenting in the dark – the new, artificial sense for the visually-impairedRYSZARD W. KLUSZCZYŃSKI, PhD, Professor of Media and Cultural Studies; Chair of the Department of Electronic Media, University of Lodz (POLAND), From cinematic to participatory aesthetics. Immersivity, Interaction and Narrative in Contemporary Performing Arts
WORKSHOPSMIGUEL ORTIZ, PhD, Lecturer of Education, Erasmus Coordinator, Sonic Arts Research Centre, School of Arts English and Languages, Queen’s University Belfast (UK)KIVANÇ TATAR, PhD, School of Interactive Arts and Technology, Simon Fraser University, Vancouver (CANADA) & Institute for Computer Music and Sound Technologies, Zürich University for the Arts (SWITZERLAND)
CONFERENCE PARTICIPANTSIOANA MISCHIE (CINETic) Government of Children. A pioneering glocal transmedia franchise with artistic, educational, societal impactTEODORA UNGUREANU (UAUIM BUCHAREST) & MARIA MANDEA (UNARTE BUCHAREST), Narrative puzzle in a post-industrial cityȘTEFAN DAMIAN (CINETic), Choreographic performance using wearable sensors for sonic interactionGORKEM ACAROGLU (AUSTRALIA), Robots, Avatars and Ghosts. A case study: directing human and technological actorsMARIUS HODEA (CINETic), Between Realities, Art Gesture by TechnologyHOREA AVRAM (UBB CLUJ-NAPOCA), The user is present. Performing temporality in mobile augmented reality artGRIGORE BURLOIU (CINETic), Augmenting a string quartet with live electronicsMIRCEA KIRALY (UBB CLUJ-NAPOCA), Mymix – an AR application on live immersive soundKIVANC TATAR (CANADA), Subjects of Art in the Post-Metacreation EraMARIÉ-HELEEN COETZEE (SOUTH AFRICA), Betwixt and between: the intermedial dramaturgy of Gopala DaviesRAMONA COSTEA (UT CLUJ) & TIBERIU TEODOR-STANCIU (UAGE IAȘI), Memorat – a VR-based monographALEXANDRA MUREȘAN (UBB CLUJ-NAPOCA), Creative matrices: Mirrors without glass, algorithms and geometric patternsANDREEA IOSIF (UAUIM BUCHAREST) & CRISTINA CLAUDIA POPESCU (UNARTE BUCHAREST), An interdisciplinary art-tech approach through a VR application for the Simu MuseumRICHARD PETTIFER (GERMANY), The Artist is absent: Non-Human Agency in the Situation of the TheatreDORIN CUCICOV (CINETic), The Sentient Machine. Extending emotional framework through interactive experiencesMARINA HANGANU (CESI BUCHAREST), Before Sunset/After Sunrise: Augmenting Space, Time, and Perception in Telematic PerformanceNATALIA ȚURCAN (CESI BUCHAREST), Radio Drama – a sound showCIPRIAN FACAERU (CINETic), Scenography of Augmented SpaceMARIA NĂSTASE (CINETic), Sonic images. Pixel sonification in the photographic imageADELA MUNTEAN (UBB CLUJ-NAPOCA), Performing Art Practices under the DomeFRANCISC APOSTU (CINETic), Creating Meaningful PlayIULIANA GHERGHESCU (CINETic), A case for a Bachelor’s program in Art and TechnologyANABELA COSTA (FRANCE), Poetic Cosmicity, VR immersive interactive videoart animation [live practical demonstration]ANDREI UNGUREANU (CINETic), Gesture recognition system using leap motion sensor: a machine learning approach [live practical demonstration]MIHAELA DRĂGAN (ROMANIA), Roma Futurism
PANEL: Transdisciplinary skills in creative industries
MODERATOR: Professor Dan Vasiliu, PhD |Director of the Doctoral School | UNATC „I.L. Caragiale” Bucharest
Alex M. Dascălu | Managing DirectorBucharest Chapter of Founder Institute | Bucharest, Romania
Professor Ioan Cristescu, PhD | DirectorNational Museum of Romanian Literature | Bucharest, Romania
Professor Nicolae Gheorghiță, PhD | Vice-RectorNational University of Music | Bucharest, Romania
Architect Emil Ivănescu | PresidentBucharest Order of Architects (OAR) | Romania
Professor Dinu Dumbrăvician, PhDNational University of Arts Bucharest | Faculty of Decorative Arts and Design | Romania PERFORMANCES Friday, November 15th 2019 LIVE CODING PERFORMANCEPerformers: DORIN CUCICOV & BOGDAN ȘTEFĂNESCU
Saturday, November 16th 2019 URBAN DELTA SCAPES @ Odeon TheatreCollective:Music: VLAD ILICEVICI, RADU POP, GEORGE FRĂTICAPerformers: ANDREEA BELU, ALEXANDRA BĂLĂȘOIUMovement v. sound interaction: GRIGORE BURLOIU, DORIN CUCICOV, OCTAVIAN ALBU, EMIL DRĂGANAnimation and motion design: RADU POP, ION ARAMĂ, VLAD ILICEVICI, DAN PANAITESCU, BERTRAND SIGNORELLI, HARRY POWELL ALEXANDRU MINCIUNĂ, CRISTIANA CĂLIN, IOANA TRUȘCĂ, GEORGIANA DIBU, DEZ, ANDA PUȘCAȘ, VADIM CIOCĂZAN, DIANA NECȘULESCU, ANA DOBRESCUVideo crew: VLAD ILICEVICI, GABRIEL COPOERUSpecial thanks: ANNE DUBOS, FRÉDÉRIC BEVILACQUA
Sunday, November 17th 2019 #FLUID-ityA performative concert with: PAUL DUNCA / PAULA DUNKER – performer, choreographer, playwright, ALEX BĂLĂ (musician) and other twisted creatures.ART INSTALLATIONS
STREAM by ALINA RIZESCUInformation streams and natural streams have a similar dynamic. The stream and the user are influencing each other in an organic continuous way.
SENTIENTIA by DORIN CUCICOV This installation expands on the impact of technological advancement on human emotions and social interactions. The project is the result of a research conducted at the International Center for Research and Education in Innovative Creative Technologies(CINETic) in Bucharest by MA student Dorin Cucicov under the coordination of Alexandru Berceanu.
HUMAN STORIES by MARTIAL GEOFFRE-ROULANDDigital art installation, exploiting more than 30,000 video streams in real time, with the aid of a bot that is constantly looking for human presence, using artificial intelligence. Trying to tell us a story through the eyes of the computer, this installation makes us think about our own privacy in our ultra-connected society. A matrix of 12 screens is displayed on a wall, showing live streams from unprotected cameras. All these streams are analysed in real time using machine learning – trying to detect whether there is human activity. As soon as humans are detected into a stream, they are displayed onto one of the screens, letting the visitor step into a curious voyeur position.PHOTOSYNTHESIZER by ITPMA Year One 2019A hybrid technological-organic object that transforms touch and light into sound sequences. Photosynthesizer explores the theme of co-creation between human, nature and technology. Interaction with human input and environmental factors produces different sets of sounds, which mirror the plant’s physiological state. Play the artificial leaves with your hand or any metallic object. Meanwhile, the humidity and temperature in the soil will select the sounds that are available to you.
Looking forward to welcoming you all at CINETic this weekend!Follow us on Facebook for live updates.Free access for the public (based on seating availability)
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