VENICE: FNE has teamed up with critics attending the Venice Film Festival to rate the films in the Main Competition, Orizzonti and Critics Week, giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics’ opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.
VENICE: FNE has teamed up with critics attending the Venice Film Festival to rate the films in the Main Competition, Orizzonti and Critics Week, giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics’ opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.
VENICE: FNE has teamed up with critics attending the Venice Film Festival to rate the films in the Main Competition, Orizzonti and Critics Week, giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics’ opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.
VENICE: FNE has teamed up with critics attending the Venice Film Festival to rate the films in the Main Competition, Orizzonti and Critics Week, giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics’ opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.
FNE spoke to Adam Suzin, the Polish DoP of the film Father, which is screening in the Orizzonti Competition in Venice this year.
FNE spoke to Romanian director Mihai Mincan, whose film Milk Teeth is screening in the Orizzonti Competition in Venice this year.
FNE spoke to Slovak director Tereza Nvotova, whose film Father is screening in the Orizzonti Competition in Venice this year.
VENICE: FNE has teamed up with critics attending the Venice Film Festival to rate the films in the Main Competition, Orizzonti and Critics Week, giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics’ opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.
FNE spoke to Macedonian director Teona Strugar Mitevska, whose film Mother opened the Orizzonti Competition in Venice this year.
FNE asked Pascal Diot how the Venice Production Bridge has evolved since it started 14 years ago.
